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Albums tag model larkin love luscious

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Cachonda mamá adulta en Obando. Hacer trampa esposas en baños. adolescentes negros chicos blancos sexo. Verdaderas esposas maduras follando en pedernales. jays cupones de fusión asiática. Galería desnuda de la universidad. pastel americano desnudo milla caliente. chicos sangrando por el ano porno. Shawn Johnson historias de sexo erótico. If a tree falls in the forest does anybody hear? Anybody hear the forest fall? Through thinning ozone, Waves fall on wrinkled earth — Gravity, light, ancient refuse of stars, Speak of a drowning — But this, Albums tag model larkin love luscious is something other. Busy monster eats dark holes in the spirit world Where wild things have to go To disappear Forever. Also On: Shipwrecked At The Stable Door 3: Left like a shadow on the step Where the body was before — Albums tag model larkin love luscious at the stable door. Blessed are the poor in spirit — Blessed are the meek For theirs shall be the kingdom That the power mongers seek Blessed are the dead for love And those who cry for peace And those who love the gift of earth — May their gene pool increase. Rumours Of Glory box set — disc 4 — 3. Gospel Of Bondage 5: See-through dollars and mystery plagues Varied detritus of Aquarian Age Shutters on storefronts and shutters in the mind — We kill ourselves to keep ourselves safe from crime. Sometimes you can hear the Spirit whispering to you, But if God stays silent, what else can you do Except listen to the silence? Force girls and boys Bent nude shaved girl.

Adolescente con enorme tetas titty folla. Editions Mego to release album from Posh Isolation cofounder Loke Rahbek and Frederik Valentin Bay Area DJ Tyrel Williams posted a picture of graffiti tags hinting at a It also includes a nine-minute cover of Donna Summer's "I Feel Love.". Moodymann, Luciano remix Model 's 'No UFO's'. Pangs Of Love () On this album Cockburn fires off some of the most politically potent material of his career, including “If A Tree Falls,” Tags: albums, cds.

On their fourth full-length album The Pact, Slothrust constructs a luscious, ethereal. The powerful '60s-tinged “Who Do You Love” takes you down the fast lane of Midnight,” which featured actress/model Suki Waterhouse in the music video, and Shannon Larkin [drums]—paved the way for a generation of rock bands.

Laurent Fintoni and John Twells explore the best trip-hop albums, featuring I say this as someone who, for the past 18 odd years, has loved the music just as . The hallmarks of the genre are there, but prettied up with luscious tropical.

Robert Albums tag model larkin love luscious, Kenny Larkin, Eddie Fowlkes and Anthony Shakir. This one was for my daughter and is just a simple groovy love song reminding a Albums came and went and I just felt that there was something not quite right about it. Also the fat luscious chords are so fun to play and listen to.

. on an old folk song called BETTY LARKIN that I heard Pete Seeger sing on a record. In the southland of the heart Where night blooms perfume the breeze Lie down Take your rest with me. In the southland of the heart Where the saints go lazily Lie down Take your rest with me. In the southland of the heart Everyone was always free Lie down Take your rest with me.

Train In The Rain 3: Speechless — 8. Someone I Used To Love 3: This current flows between us That will not be denied You draw me in towards you Like the moon pulls at the tide May no shadow ever fall That will make me have to call You someone I used to love. Rumours OF Glory box set disc 5 — 9.

Love Loves You Too 4: Sunrise On The Mississippi 3: Closer To Albums tag model larkin love luscious Light 4: Gone from mystery into mystery Gone from daylight into night Another step deeper into darkness Closer to the light.

Tie Me At The Crossroads 3: Slice O Life — Featuring a Albums tag model larkin love luscious of musical influences, coupled with intelligent lyrics and catchy melodies, Dart to the Heart is an accessible and likeable album. Chris Laidlaw Technical Assistance: Anthony Aquilato Also recorded at: Sara Rutman, Chris Austopchuk Photography: Dana Tynan.

Thanks to all those who put up with, and put out for, the demands presented by the making of this record: Also to: And in the absence of a vision there are nightmares And in the absence of compassion there is cancer Whose banner waves over palaces and mean streets And the rhythm of the night train is a mantra. Drums, Percussion Rob Wasserman: Bass Jonatha Brooke and Patty Larkin: Anything Anytime Anywhere — 2. Get Up Jonah 5: Somebody stands in a window Albums tag model larkin love luscious the river roll Trains rumble in the foreground With the weight of approaching dawn.

Flames from the refinery Rise broken, red and link And the high vault of heaven Looks far away and cold. Blood and ashes — time burning On the skyline dark against the stars A solitary horseman — waiting. Drums Gary Burton: Vibes Rob Wasserman: Rumours OF Glory box set disc 6 — 3. Pacing The Cage 4: Acoustic Guitar and Vocal Janice Powers: Keyboards Rob Wasserman: Mistress Of Storms 6: Also On Speechless — 5.

The Whole Night Sky 3: Sometimes a wind comes out of nowhere And knocks you off your feet Albums tag model larkin love luscious look, see my tears They fill the whole night sky The whole night sky.

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Derailed and desperate How did I get here? Hanging from this high wire By the tatters of my faith. Sometimes a wind comes out of nowhere And knocks you sideways And look, see my tears They fill the whole night sky The whole night sky.

nude fight Watch Xxx hot adult movie Video Sec porno. Steve Lucas Drums and background vocals: Ben Riley. Tour manager: Leslie Charbon Front of house sound: Russ Wilson Guitar tech: Bus Drivers: Deep in the city of the saints and fools Pearls before pigs and dung become jewels I sit down with tigers, I sit down with lambs None of them know who exactly I am. Languid mandalla of the ceiling fan Teases the air like a slow stroking hand Study the faces, study the cards Study the shadow creeping over the yard. Trouble with the nations, trouble with relations Where you going to go to find illumination? Too much to carry, too much to let go Time goes fast — learning goes slow. Drums Richard Bell: Organ John Dymond: Bass Rick Lazar: Percussion Carlos Del Junco: Harmonica Stephen Donald: Trombone Sally Sweetland: Handclaps Lucinda Williams: Rumours OF Glory box set disc 6 — 2. Mango 5: Humid gleaming precious well Love to drink that water Parallel worlds when the sun goes down The atmosphere grows hotter. I slip through the glistening gate Tide began to pound Tears of light poured over me And ricocheted all around. Acoustic Guitar and Vocals George Koller: Bass Ben Riley: Drums Daniel Janke: Kora Margo Timmins: Last Night Of The World 4: If this were the last night of the world What would I do? What would I do that was different Unless it was champagne with you? Acoustic Guitars, Vocals Gary Craig: Bass Colin Linden: Electric Guitar Janice Powers: Keyboard Rick Lazar: Percussion Jonell Mosser: I look west along the red road of the frail sun Where it hovers between shelf of cloud and spiky trees, Receding shore;. The world is full of seasons; of anguish, of laughter And it comes to mind to write you this:. Nothing is sure Nothing is pure And no matter who we think we are Everyone gets his chance to be nothing. Crawl across leaf or among towering blades of grass Glimpse only sometimes the amazing breadth of heaven. Acoustic Guitar, Vocals George Koller: Percussion Janice Powers: Keyboards Ben Riley: Cymbals Lucinda Williams: Harmony 5. Down To The Delta 6: Acoustic Guitar George Koller: Percussion Ben Riley: Drums 6. The Embers Of Eden 5: And the embers of Eden burn You can even see it from space And the great and winding wall between us Seem to copy the lines of your face. Acoustic Guitar, Vocals Steve Lucas:: Drums Jonell Mosser: Blueberry Hill 4: Keyboard Margo Timmins: Duet Vocal 8. Let The Bad Air Out 5: Too much monkey business, like Mr. Drums Carlos Del Junco: Trombone Daniel Janke: Kora 9. Look How Far 5: So many miles, so many doors Some need patience, some need force All fall open in their own due course To allow us this time. And look how far the light came Look how far the light came Look how far the light came To paint you This way. And I picture us in this light Friendship a fine silver web Stretched across golden smoky haze And this is simple And this is grace. And this light Is a guest from far away Passing through The last whisper of day. Trombone Janice Powers: Keyboard Lucinda Williams: Harmony Deep Lake 6: Use Me While You Can 7: High above the plains little grey houses blend with giant jagged boulders and pale weathered stumps. Turbaned rider, blue robe billowing, bounces with the shambling trot; wears a sword and a rifle on his back, and hanging from his neck, a transistor radio…. Under the wan disc of sand-masked sun A woman grins — spits expertly Into the path of a struggling black beetle Six feet away Hoists her water bucket onto her head And strides off up the trail…. Sun a steel ball glowing Behind endless blowing sand Sun a steel ball glowing Dust of fallen empires slowly flowing through my hands Use me while you can. Pearl held in black fingers Is the moon behind dry trees Pearl held in black fingers Bird inside the rib cage is beating to be free Use me while you can. Bullet in a sandstorm Looking for a place to land Bullet in a sandstorm Full heart beats an empty one In the deck they dealt to man Use me while you can. Bass Daniel Janke: Kora Lucinda Williams: Rumours OF Glory box set disc 6 — Production notes: Mixed at Sound City, Los Angeles. Song credits: Daniel Janke played kora click for picture: Rumours OF Glory box set disc 7 — 2. Wondering Where The Lions Are 3: Tokyo 3: The Trouble With Normal 3: Lovers In A Dangerous Time 4: Waiting For A Miracle remix 4: If a Tree Falls 5: A Dream Like Mine 4: Listen for the Laugh 4: Night Train 6: Last Night of the World 4: Bruce Cockburn bass: Steve Lucas drums: Ben Riley violin: Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around Never feel the light falling all around. Violin Andy Milne: Piano Dr. Loop Stephen Hodges: Percussion John Whynot: Whistling Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — Though you find yourself alone and stranded with no friend to take your side On the endless road afoot and empty-handed where the wild-eyed Cossacks ride. Spring birds peck among the pressed-down grasses Clouds like zeppelins cross the sky Anger drips and pools and then it passes And I say a prayer that I. Acoustic Guitar and Vocals Steve Lucas: Violin Ben Riley: Drums Sarah Harmer: Harmonies Messenger Wind 3: To be one more voice in the human choir rising like smoke from the mystical fire of the heart. It carries the moon and the stars and the rain Carries the seagulls and carries my shame away. Sun coming up paints the snow all around Rose on the roofs and the trees and the ground And the stream In my dream Messenger wind swooping out of the sky Lights each tiny speck in my human kaleidoscope With hope. Acoustic Guitar and Vocals Gary Craig: Violins Stephen Hodges: With a career that spans over three decades, countless tours and 27 albums, Cockburn has never stopped reflecting on political and social causes. Carrie Nuttall. The Finkelstein Management Company, Ltd. Thanks to M. Richardson for a beautiful place for Andy and me to work in, and for the following possibly apocryphal quote from Nostradamus:. Jackson Browne appears courtesy of: Elektra Entertainment Sarah Harmer appears courtesy of: Round Records Emmylou Harris appears courtesy of: Nonesuch Records Colin Linden appears courtesy of: Sony Music Canada Sam Phillips appears courtesy of: Nonesuch Records. Alternate cover for the US: If A Tree Falls 5: Rain forest Mist and mystery Teeming green Green brain facing labotomy Climate control centre for the world Ancient cord of coexistence Hacked by parasitic greedhead scam — From Sarawak to Amazonas Costa Rica to mangy B. What kind of currency grows in these new deserts, These brand new flood plains? Busy monster eats dark holes in the spirit world Where wild things have to go To disappear Forever If a tree falls in the forest does anybody hear? April 7, — Toronto, Canada Also On: Rumours Of Glory box set — disc 4 — Tabloids, bellowing raw delight Hail the return of the Teutonic Knights Inbred for purity and spoiling for a fight, Another little puppet of the New Right See-through dollars and mystery plagues Varied detritus of Aquarian Age Shutters on storefronts and shutters in the mind — We kill ourselves to keep ourselves safe from crime. June — Toronto, Canada. Goons in blackface creeping in the road — Farm family waiting for the night to explode — Working the land in an age of terror You come to see the moon as the bad news bearer Down where the death squad lives They cut down people like they cut down trees — Chop off its head so it will stay on its knees — The forest shrinks but the earth remains Slash and burn and it grows again Down where the death squad lives. December 29, — Toronto, Canada Also On: Kit Carson 4: And the President said to Kit Carson: Mighty Trucks Of Midnight 5: Jones — Organ Jim Keltner — Drums. Great Big Love 5: One Of The Best Ones 6: Somebody Touched Me 4: Actions Speak Louder 2: Instrumental Musicians: January 25, — Toronto, Canada Musicians: Instrumental April — Mississauga, Canada Musicians: Adeste Fidelis cover. Instrumental Album notes: Early On One Christmas Morn cover. O Little Town Of Bethlehem cover. O little town of Bethlehem How still we see thee lie Above thy deep and dreamless sleep The silent stars go by Yet in thy dark streets shineth The everlasting light The hopes and fears of all the years Are met in thee tonight For Christ is born of Mary And gathered all above While mortals sleep the angels keep Their watch of wondering love O morning stars together Proclaim the holy birth And praises sing to God the king And peace to men on earth How silently, how silently The wondrous gift is given So God imparts to human hearts The blessings of his heaven No ear may hear his coming But in this world of sin Where meek souls will receive him still The dear Christ enters in Album notes: Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera El lobo rabioso La quiso morder Mas Dios poderoso La supo defender Quizole hazer que No pudiesse pecar Ni aun original Esta uirgen no tuuiera Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera Este uiene a dar A los muertos uida Y uiene a reparar De todas la cayla Es la luz del dia Aqueste mocuelo Este es el cordero Que San Juan dixera Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera Yo ui mil garcones Que andauan contando Por aqui bolando Haziendo mil sones Diziendo a gascones, Gloria sea en el cielo Y paz en el suelo Pues Jesus nasciera Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera Este uiene a dar A los muertos uida Y uiene a reparar De todas la cayla Es la luz del dia Aqueste mocuelo. I Saw Three Ships cover. I saw three ships come sailing in On Christmas day, on Christmas day I saw three ships come sailing in On Christmas day in the morning And who do you think was in them then? On Christmas day, on Christmas day And who do you think was in them then But Joseph and his lady He did whistle and she did sing On Christmas day, on Christmas day He did whistle and she did sing On Christmas day in the morning And all the bells on earth did ring On Christmas day, on Christmas day And all the bells on earth did ring On Christmas day in the morning And all the angels in heaven did sing On Christmas day, on Christmas day And all the angels in heaven did sing On Christmas day in the morning I saw three ships come sailing in On Christmas day, on Christmas day I saw three ships come sailing in On Christmas day in the morning Album notes: Down In Yon Forest cover. Go Tell It On the Mountain cover. Shepherds original. They wake up suddenly in the night There is light And figures dancing in the sky Clothed in more colours than the world can contain And all the silences of the night Leap in song Like that of a river cascading from the wild mountain to the slow human plain Gloria! Gloria in the highest! Silent Night cover. Ehstehn yayau deh tsaun we yisus ahattonnia O na wateh wado: God Rest Ye Merry Gentlemen cover. Mary Had A Baby cover. Joy To The World cover. Listen For The Laugh 4: The hills are full of secrets Owls watch by night Down in town the bars are full And the drunks are picking fights These are things I know But the facts are filtered through All the ways I want you 2: I was half asleep in the washroom when they came in Eyes like moonlight on barbed wire and veins showing under the skin The uniforms made me nervous, I got ready for the chase But they left me scanning these crowds for some sign of your face Something fell on Saskatchewan in Where is it now that we need it, in this century of jive? Bruce Cockburn, guitar Also On: Instrumental April 24, — St. Louis Musicians: Vocals Also On: Anything Anytime Anywhere — Bass Also On: Acoustic Guitar Gary Burton: Vibes Also On Speechless — They turned their backs I made it too hard Every place they touched me Is a laceration now Sometimes a wind comes out of nowhere And knocks you off your feet And look, see my tears They fill the whole night sky The whole night sky Derailed and desperate How did I get here? Hanging from this high wire By the tatters of my faith Sometimes a wind comes out of nowhere And knocks you off your feet And look, see my tears They fill the whole night sky The whole night sky Sometimes a wind comes out of nowhere And knocks you sideways And look, see my tears They fill the whole night sky The whole night sky June 27, — Cologne Musicians: Accordion Also On: Vibes Also On: Backup Vocals and Arrangement Also On: Harmonies Also On: November 7, — Halton Hills Musicians: When You Give It Away 4: Harmony Also On: Toronto Musicians: Heavy northern autumn sky Mist-hung forest — Dark spruce, bright maple — And the great lake rolling forever to the narrow gray beach I look west along the red road of the frail sun Where it hovers between shelf of cloud and spiky trees, Receding shore; The world is full of seasons; of anguish, of laughter And it comes to mind to write you this: Instrumental released Musicians: Duet Vocal. So, it represented that which I have hope in, in terms of power. I think the record itself is a lot about power dynamics. Were any of them influences? What an honor. I thought a lot about Carole King on this record. I love Tapestry. I tend to use her as an inspiration and definitely Stevie Nicks. I love Stevie Nicks. But Carole King is probably the most directly. Her voice and the piano. Some Portishead. In ways, some Nina Simone. Those have been consistent influences for me that are maybe just more apparent on this record. Oh, OK, you nailed it for me! There was one person who I really got introduced to when I was making this record and, obviously, that was Kate Bush. Yeah, she was a big influence on this record. Ah, cool. Yeah, I love Tori. I grew up and Tori Amos just was on the radio and stuff. Not really. There was basically like a creative discussion about which one of those should go first and we ended up just putting them back to back. When I listen to the album, the two songs almost kind of blend into one, like a two-part progressive song. Just out of curiosity, were they written back to back by any chance? And so I sort of fleshed it out, but later on. Were either, or both of those sounds, influences on that? Yeah, I think so. I really have a lot of respect for the Motown sound and everything. Yeah, there is. The final acceptance of that. So, what is it about? Their spirit is with me. And I would hope it would be the same. I think I do believe in soulmates. I think I believe in many soulmates in your life. Like a soulmate connection, to me, becomes very clear. What about you? What do you think? That task only took 15 years to complete and now it can finally see the light of day. Peppers bookend thing on the first record but there were just too many songs to do it. So now's my chance! This song was the first Beatles song I ever heard since I got Sgt. Peppers when it came out in when I was only 2 years old so it is completely intermingled with my sense of being a child and the surreal possibilities of the Beatles music. Amazingly the beginning sound of the orchestra tuning up was from a totally unrelated recording I made on an accordion and I had not included it until I realized it sounded just like the chord on the record or at least my memory of it and it fit perfectly. A nice serendipity moment which is great because the making of the real Sgt. Peppers record was full of coincidences when the Beatles recorded it. They were really insistent that I record it for this album so in that context I decided to record it. Boy am I glad I did. It is pretty fun to have it in the number two spot just like on the original album. Originally Ringo recorded his vocals at 5: Poor little Ringo! So I just sped it up and energized it with a sort of gospel explosion. Of all the songs on the album this one was the easiest for me to sing for some reason. It just flowed out so naturally and I did the lead vocal in one take. I was literally bouncing off the walls in my studio as I did the shouting singing celebration at the end! Paul wrote this for John's son Julian so it is at it's heart a kid's song already. I just could not stop thinking about this song and before I knew it I was in the studio making a new version. It came out so well that I figured I might as well go ahead and make the whole second album! I am happy to present this song also because it is the companion song to Paul's Penny Lane about childhood. Strawberry Fields was a park that John played in when he was little and the song is his tribute to a happy time when he was small and life was simple. The slinky feeling of the music made me super happy. One day my Dad took me out to lunch at a pizza place called Shakey's and they had a jukebox with For You Blue on it. This was probably so it was only a few years after the song came out. When I asked my Dad for a dime to play the song he said I couldn't have one because I had the record at home and could hear it for free. I think in the end that experience made the song even sweeter since every time I hear it I remember NOT being able to play it. Thanks DAD! RAIN I have always LOVED this song and the drone like sound of it and the sentiment which is that a rainy day is not a bad day at all and that we create these limitations for ourselves that require everything to be perfect in order to be happy. I just wanted to lighten it up and make the content of the vocals come to the front. At its core this is a super simple song with a super simple message. Be happy because you are alive not because of your surroundings. In the beginning the Beatles played without a drummer for a bunch of their first gigs and because there were four guitars they sold the lack of a drummer with eh phrase "The rhythm's in the guitars! I decided to see how that theory would sound and just made this thing with only guitars save for the little Billy Preston style piano here and there and HORNS! Interesting side note is that Billy Preston who played piano on this song on Let It Be also played with and socialized with the Beatles in when he was Little Richard's organist and played shows with the lads from Liverpool around the time when they wrote this song. It tells a vivid story too which is always a winning quality of a good song for me. I can really SEE the story and atmosphere come to life in my head as I listen to it. So I indulged myself and put it on the album. I had to redo it a few times to get my voice near those high notes and ring out like Paul's does on the original song. But it was worth it. I got the broken baby keyboard to do the bass line here again and got a funny gnome from the garden to come in and play flute. Another example of getting a bit more energy and speed into the performance than the original to bring out the groove of the song. What better sums up the Beatles contribution to our collective unconscious that their promotion of the concept of loving each other. I ramped up the country feel in this version just because I always heard it bubbling just under the surface and it was fun to bring it out a bit. This one did not make it onto the first record and I am glad it didn't because I added a bunch of bells and whistles to this new version. How do you do what you do? It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! It was fun to create the super angelic "see how they run" parts and use my super broke down old Kawai baby keyboard for the bass line. I sure do love a half busted cheapo keyboard. Strange that I have not written a Caspar Babypants song about a pig but I do sing about then as I bop around all day. SO this seemed like a great one to include. I loved replicating the end part with he crisp cellos too. This one was also recorded for the first album but got bumped so it is great to have the chance to get it out here. The lovely and talented Rachel Flotard helps out on vocals and does a great job with the harmonies. I like this one for kids because it is repetitive and deals with opposites. A little bit of an opportunity to think about that stuff. Also the fat luscious chords are so fun to play and listen to. I have played this song live a bunch with my grown up band and originally thought I would do it pretty straight and strummy on a guitar but once I fired up that silly keyboard things just flowed and it all came together. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it! They sped them up to make him sound younger since he wrote this song when he was a teenager. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals! I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones and you! I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. I decided not to add it in the end HA! Plus if you let the album repeat then it fades into the beginning bit of SGT. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. This some was the bit that I made up about the owl. I hope it does not encourage your kids to stay up all night! I think it is more about that desire than a suggestion to do so. It was an elderly man on stage singing a song all by himself with no musicians. His voice had a lonely quality that was sweet and haunting at the same time. I tried to make this song occupy the same space but I got excited to put instruments on it so I made it about playing music so I could justify the added parts and music. This one is dedicated to my late great Daddy. Musically I worked very hard on this one to make it move from part to part and not get monotonous. Lots of weaving guitar bits coming together here. Getting that lead vocal to sit right took a while. It was challenging but I love the results! No big story here. Just a sweet little turn of phrase that made me smile. I do like the stop and start quality of the arrangement and that came about over time. That effect makes me sleepy. From time to time I would just improvise and try to push out a song. I was in my room and sang about the view from my window and that was it. That song sat around for 20 years unfinished then I read a book about the psychology of children's books and why some work and some don't. In the book they talked about "Goodnight Moon" and why it was successful and the iconic, romantic relationship we humans have with the moon and how that fires children's imaginations. When that song floated back into my mind I focused on the idea that image of the moon is about fantastic distance and possibility for adventure and made the verses about the crazy things that you might do out there under the moon. He sent me some movies and testimonials and I was struck by one guy who told his story of loosing his family in the water. So I changed the theme to be about fish and how they sleep under the water during storms and stay cozy despite the tempest above. I had a dream about her in which she was a big blue dragonfly in a twighlight swamp and I was going to visit her. When I told Kate about the dream and told her the song was called "Dragonfly Blue" she said that was so weird because the color of the paint on the walls of Christina's restaurant was called "dragonfly blue". I went to Missouri to a family reunion when I was 20 years old and my father's brother made a speech during the gathering that was very moving. He was a tough farmer and seeing him get emotional impressed me. As I looked through my old songs I realize that I wanted this idea of being emotional despite being seen as strong to reach a wider audience so I reverted to be about a robot that has a heart. I think this will be the one and only time that I ever sing about robots on a Casper Babypants album. Then I was thinking about all the animals that live in the desert and what would happen to them if they lived in the ocean. Then I thought about all the animals that live in the ocean and what would happen to them if they lived outside of the ocean. So I just wrote a song about creatures from the ocean living in the desert and in the sky and in outer space and wishing that they could be back in the ocean. Maybe this song is about being nostalgic for home? I just love imagining an octopus in weightlessness! When my kids were very little I would lay them on a blanket and sit there with a guitar and play improvisations about how much I love them and how cute they were. A bunch of songs came out of this and two of them are on this record. This one was for my daughter and is just a simple groovy love song reminding a baby that a baby is a baby is a baby. A definite nod to the Beatles influence on this one. Albums came and went and I just felt that there was something not quite right about it. Finally I decided to try stripping the words away and painting a different picture. I love the idea of a hippo gliding around and getting down on the dance floor. I am enjoying making songs about dancing. There are three on this record so try to find them all! I thought it would be fun to do a song at live shows where I ask the kids to pretend to be a tree. They can shake their branches and leaves and kick up their roots and move about. I like to pretend that trees secretly have the ability to pull up their routes and run around. I have a whole other song I'm working on based on the legend of trees that can move. In the meantime here's a tree song you can move to. I started thinking about hip-hop and how the person rapping is usually talking about how strong and amazing they are. Bubbles are weak and vulnerable and I thought it would be fun to write a rap song from the point of view of something that is not strong. Musically I'm kind of trying to send everybody back to the early 80s in New York when rap was born. I'm pretty proud of some of the rhymes and the song! It poured out of me in one sitting and the vocal you are hearing on the track is a temporary vocal that I put down right when I wrote it but I was never able to beat so I left it in there. Words like "antidisestablishmentarianism". That recording was never released at all but eventually it mutated into this idea of trying to write a lullaby but getting too excited and making it so loud but that it's not about going to bed at all anymore. Originally this song had a lot of guitars on it but slowly over time I took them away and replace them with more of a marching band oompah symphonic sensation. Stay up all night kids! George and Tom strolled through the garden playing ukuleles having a grand old time. When George went to leave he asked Tom if he wanted more ukuleles. Tom said he was okay with one ukulele but George insisted and opened the trunk of his car to reveal a HUGE pile of ukuleles. The moment Tom Petty finished telling the story I realize I had to write a song about this incredible moment. I think it's good advice to always keep a ukulele within arms reach! You never know when you need to elevate your mood with the sparkly sound of a uke. I wanted to help her to envision herself leaving her bed and dancing around much like a flower would leave its flowerbed to dance around. In the end I changed the name but the idea of a dancing flower that leaves it's flower bed and can move freely and dance as much as it wants to is the main idea of this tune. This is just a pure improvisational expression of love from a parent to a little new baby. It's fun to remember when they needed so much help especially once they've grown and gone to college like my little boy has. It was a bit too spooky and creepy so I made it about a rubber ball that I love instead of one that I'm trying to get rid of. All of a sudden the whole thing clicked. There's a great ghost movie that I love called "The Changeling" that features a scene in which a man throws a rubber ball off the Aurora bridge in Seattle in an effort to get rid of it because it reminded him of his daughter who had passed away. When he gets home the rubber ball is bouncing down the stairs of the house supposedly set in motion by the ghost of another child living in the home. I love that movie and wanted to immortalize that rubber ball in a fun positive way so that is what this song is about. There are no ghosts in this song so don't be scared! One of the little kids came up with the melody for the chorus and the other came up with the idea of doing a roll call of the instruments of the symphony. Then I called up Mozart and got him to do the middle part of the song, which features his amazing composition Eine kleine Nachtmusik. Thanks for the help Mozart! The movie was so well done and so evocative with saturated sunshine orange and yellow super eight film that I immediately picked up a guitar and started writing when the movie was over. Originally it was about a baby moving to California but somehow I thought of penguin moving there was a little more bizarre and fun. I like the way the penguin has romantic experiences and practical experiences. It's a big deal to move to a new place. I love the groove in this one and I love any excuse to play slide guitar. It was bizarre and abstract and kind of sad and depressing. I loved the melody and the guitar part but never felt like it was a song I can bring to a band or play live. I decided to crack it open and turn it into a Caspar song about five years ago and it's taken that long to figure out an angle and get the story right. This is based on an experience I had when I was a little kid where a giant crowd of bats smacked into my window and woke me up. It was super scary and I never forgot it. Eventually I decided to put words to it and make it about a lollipop that I remembered getting at Disneyland when I was a little kid. I didn't drop the one I got but in an effort to add a little narrative tension I decided to tell the story of a lollipop that fell in the sand at the beach. I can't think of anything sadder for a little kid. But don't worry it all works out in the end. I thought it would be fun to add a whole bunch more body parts than just the head the shoulders and the knees and the toes. I hope you have fun trying to keep up with me and pointing to all the parts of your baby while you listen to this song. One was high energy and kind of like a hillbilly song and the other was this one that you are listening to. In the end I thought the sensitive presentation served the intimacy of the song better and having it be a knee slapper. A nice mellow album closer about the love between a baby and a parent. The tune remained an instrumental for a long time and I was afraid that it would stay that way since typically if lyrics don't come soon new ideas will stay instrumental forever. I tracked it hoping that words would come and none did but one day as I played it on the porch the words just trickled out and the vision became clear. Sometimes you just have to be patient and wait. He and I wrote dozens of mini songs that were about 30 seconds each. I changed it to a slug because it feels more vivid to me than my own fuzzy and indistinct notion of what a Loris looks like and spends it's day doing. I lost track of how many years but it has been a while. I identified with Charlie Brown when I was a kid. It seemed that his hard luck mirrored my own enough that having the same initials did not surprise me once I realized that was the case. I couldn't fly a kite either and that was the inspiration for this song. I decided to write it from the perspective of the kites that I failed to fly when I was a kid. That album did not get distributed outside of the PEPS families that I made it for so I have been slowly remaking some of those songs and putting them out on Caspar Babypants albums. I decided to expand the lyrics and rewrite them to be about the sensation of being cozy in your home while the storms and scary natural phenomena rage outside. This song was on that record and it was a great version but when I went to update it for a Caspar Babypants record I got excited to update the lyrics. Way back when I wrote it I just had this kaleidoscopic sort of cut away vision of the woods at night and the cast of oddball characters that were crawling around in the pale moonlight. I could sing about the moon all night long! Another example of a simple translation of a surreal vision in my mind to a melodic lyrical miniature song world. The lyrics were a bit different and the feel with upbeat and high energy. A few years later I remembered that tune and changed the vibe to be slinky and dark. It feels like we are flying around fast all over the world seeing a psychedelic montage of creatures succumbing to sleep one by one. I love this one because it makes the hairs on my neck prickle. Set in and around the sea I am just asking some sea creatures if they will allow me to tuck them in as you do! It was fun to use that synthesizer sound in a Caspar song which is not usually in my palette of noises and instruments. One reason is that recorded and rewrote it three times trying to balance the sentiment with the right musical feel and that took about 7 years. Basically it is saying that no matter what kind of human you grow up to be you should take your time and enjoy letting your journey unfold moment by moment. Last winter I made a project out of listening to thousands of fragments in order to find ideas that resonated with me enough to rescue them from the trash pile and make them into something finished. This is one of them. Let's face it, flowers are pretty lazy. Those bees do all the work! I loved to play but preferred to figure out the theme song to "The Munsters" by ear than learn compositions by the masters. The title came from an old childhood memory. My friends Dave and Steve that lived down the street did not have a piano but would hang out at our house a bunch and heard me playing. The low notes being the thunder and the high notes being the rain. It was a little musical joke that I never forgot and eventually I took the title and mutated it into the song on this album. It only took 45 years to fully realize this one! I like the idea that the pulse of a heartbeat and the pulse of a day and the pulse of a lifetime are all the same but some are too slow to perceive. Poor guy. This song is dedicated to the late great Mark Sandman as well. He taught me how to play the 2 string and 3 string guitar and he is gone from us but his songs sing on and in that way he never sleeps. It turned out that it worked better with new lyrics as a lullaby. Even slowed down the lyrics are kind of dense but I think it works. I love the wah wah guitar in there all distant and watery. My second moon song on this album. I do so love to sing about that moon. This one was a long strange journey that I can't believe is over. I had a bunch of friends that all liked to play funny little broken down oddball instruments and we used to go to the beach or a park for the afternoon and play these hypnotic jams until the sun disappeared. It was from VHS footage from probably about Yeah, I was in London. The video, for me, is so personal. I was in London when he was elected. I was in London protesting. As the rest of the world was protesting. The thing I keep thinking right now is that it ought to be illegal, or unconstitutional, for anyone to shut down the government, even the President. Have you done any recently? But nothing lately. These days a lot of artists have rappers guest on their tracks, like in the middle eight, is that something you could ever see yourself doing or do you think that would clash with your sound too much? If you could have any rapper out there guest on your next album, who would you want to work with? What a question. I really like Chance The Rapper. Or Cardi B. I think that would be fun. Oh, yeah, she would be fun. In other words, could you do a huge festival with a hundred thousand people like Glastonbury? Yes, of course. I actually love meditating in a group just because it holds me accountable. But I like to just mediate alone and do my own thing as opposed to a visualization. But I do believe in it. What do you think of past life regression therapy where they put you in a hypnotic state and try to have you recall your past lives? Have you tried it? Well, do you call God the name God or do you say Goddess — what is the word that you use in your mind? A great spirit. Because the thing I like about — at least the way I was taught about religion — is that I thought God was this entity in the sky and we were all just on earth. Something like that helps me conceptualize it. And be like, you know, the spirit is talking. I feel like I can connect more with spirituality everywhere in animals and plants and the way nature is responding to things and the different signs that that gives. Powerful witches, but witches nonetheless. Joan of Arc was a witch. And, obviously, she was one of the greatest Saints. I also grew up Jewish and I think there are really a lot of things that I like about Judaism that I carry with me into how I make sense of the world. The organized aspect of it. I think astrology is a really fun guide. I know a fair amount, but I find it useful because it helps me have some sort of expectations or leniency if I know someone — every sign has its things that are…. Strengths and weaknesses..

Acoustic Guitars and Vocal Gary Craig: Bass Bob Weir: Vocals Colin Linden: Mandolin Janice Powers: Low, Wiggly Keyboards Bonny Raitt: Slide Guitar Joe Macerollo: The Coming Rains 4: In my heart I hold your photograph And the thought of you comes on like the feel of the coming rains.

Drums, Tambourine Rob Wasserman: Bass Gary Burton: Rumours OF Glory box set disc 6 — 7. Birmingham Shadows 9: But if I fall down and die Without saying goodbye I give you this: Resophonic Guitar and Vocal Gary Craig: Drums Rob Wasserman: The Mines Of Albums tag model larkin love luscious 6: And somebody will be peddling vials of penicillin stolen out of all the medical kits sent to the countryside.

Bass Janice Powers: Mongolian keyboard thing Jonatha Brook: Backup Vocals and Arrangement. Rumours OF Glory box set disc 6 — 9. Live On My Mind 6: Light me like incense in the night Light me like a candle burning bright Light me like a searchlight in the sky Time means nothing when I look in your eyes. Keyboards Gary Burton: Vibes Jonatha Brook: The Charity Of Night 8: Car slows beside him click here he walks Hubcaps slow revolution Jaundiced-looking pockmarked face, round in window Short greasy black beard.

This goes on halfway across the cobbled bridge Driver pulls ahead — gets out by the construction fence Ambles towards him rubbing the bulge in his pants. In his jacket is the revolver The hand is already in the pocket for warmth and fingers slide easily around wood grips. Slow revolution — — crosswise in a hammock in the hot volcanic hills Its 3AM the night after the air raid From the ridge she watched A37s, like ugly gulls, Make a dozen swooping passes over some luckless town Maybe ten kliks beyond the border In the distance the Pacific glimmered silver.

Tongue slides over soft skin Love pounds in veins brains buzzing balls of lust Fingers twine in wet hair Limbs twist and roll. On the dresser wax drips in slow motion down the long side of Albums tag model larkin love luscious black candle Ecstatic Albums tag model larkin love luscious of flame and Albums tag model larkin love luscious.

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Acoustic Guitar and Vocals Rob Wasserman: Vibes Colin Linden: Mandolin Joe Macerollo: Rumours OF Glory box set disc 1 — Strange Waters 5: Across the concrete fields of man Sun ray like a camera pans Some will run and some will stand Everything is bullshit but the open hand. If I loose my grip, will I take flight?

Marie Westhaver Inside band photos: William Sienkiewicz. Guitars and vocals: Bruce Cockburn Bass and background vocals: Steve Lucas Drums and background vocals: Ben Riley.

Tour manager: Leslie Charbon Front of house sound: Russ Wilson Guitar tech: Bus Drivers: Deep in the city of the saints and fools Pearls before pigs and dung become jewels I Albums tag model larkin love luscious down with tigers, I sit down learn more here lambs None of them Albums tag model larkin love luscious who exactly I am.

Languid mandalla of the ceiling fan Teases the air like a slow stroking hand Study the faces, study the cards Study the shadow creeping over the yard. Trouble with the nations, trouble with relations Where you going to go to find illumination? Too much to carry, too much to let go Time goes fast — learning goes slow. Drums Richard Bell: Organ John Dymond: Bass Rick Lazar: Percussion Carlos Del Junco: Harmonica Stephen Donald: Trombone Sally Sweetland: Handclaps Lucinda Williams: Rumours OF Glory box set disc 6 — 2.

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Mango 5: Humid gleaming precious well Love to drink that water Parallel worlds when the sun goes down The atmosphere grows hotter. I slip through the glistening gate Tide began to pound Tears of light poured over me And ricocheted all around. Albums tag model larkin love luscious Guitar and Vocals George Koller: Bass Ben Riley: Drums Daniel Janke: Kora Margo Timmins: Last Night Of The World 4: If this were the last night of the world What would I do? What would I do that was different Unless it was champagne with you?

Acoustic Guitars, Vocals Gary Craig: Bass Colin Linden: Electric Guitar Janice Powers: Keyboard Rick Lazar: Percussion Jonell Mosser: I look west along the red road of the frail sun Albums tag model larkin love luscious it hovers between shelf of cloud and spiky trees, Receding shore. The world is full of seasons; of anguish, of laughter And it comes to mind to write you this:.

Nothing is sure Nothing is click And no matter who we think we are Everyone gets his chance to be nothing.

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Crawl across leaf or Albums tag model larkin love luscious towering blades of grass Glimpse only sometimes the amazing breadth of heaven. Acoustic Guitar, Vocals George Koller: Percussion Janice Powers: Keyboards Ben Riley: Cymbals Lucinda Williams: Harmony 5. Down To The Delta 6: Acoustic Guitar George Koller: Percussion Ben Riley: Drums 6. The Embers Of Eden 5: And the embers of Eden burn You can even see it from space And the great and winding wall between us Seem to copy the lines of your face.

Acoustic Guitar, Vocals Steve Lucas:: Drums Jonell Mosser: Blueberry Hill 4: Keyboard Margo Timmins: Duet Vocal 8. Let The Bad Air Out 5: Too much monkey business, like Mr. Drums Carlos Del Junco: Trombone Daniel Janke: Kora 9. Look How Far 5: So many miles, so many doors Some need patience, some need force All fall open in their own due course To allow us this time. And look how far the light came Look how far the light came Look how far the light came To paint you This way.

And I picture Albums tag model larkin love luscious in this light Friendship a fine silver web Stretched across golden smoky haze And this is simple And this is grace.

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And this light Is a guest from far away Passing through The last whisper of day. Trombone Janice Powers: Keyboard Lucinda Williams: Harmony Deep Lake 6: Use Me While You Can 7: High above the plains little grey houses blend with giant jagged boulders and pale weathered stumps.

Turbaned rider, blue robe billowing, bounces with the shambling trot; wears a sword and a rifle on his back, and hanging from his neck, a transistor radio…. Under the wan disc of sand-masked sun A woman grins — spits expertly Into the path of a struggling black beetle Six feet away Hoists her water bucket onto her head And strides off up the trail….

Sun a steel ball glowing Behind endless blowing sand Sun a steel ball glowing Dust of fallen empires slowly flowing through my hands Use me while you can. Pearl held in black fingers Is the moon behind dry trees Pearl held in black fingers Bird inside the rib cage is beating to be free Use me while you can. Bullet in a sandstorm Looking for a place to land Bullet in a sandstorm Full heart beats an empty one In the deck they dealt to man Use me while you can.

Bass Daniel Janke: Kora Lucinda Williams: Rumours OF Glory box set disc 6 — I noticed that they go to sleep in the winter and look like they are Albums tag model larkin love luscious to never come back but when spring comes they uncurl and dance around in the wind.

So I wrote this song for them. It feels like an old song but it came right out of my little brain. I am excited to write original songs that could sound like quotes from old tunes.

I tracked the percussion for this Albums tag model larkin love luscious for a song I did for a Woody Guthrie tribute album and I loved the percussion so much that I put a bunch of music on it and expanded Albums tag model larkin love luscious and just out of nowhere started singing about puddles and mud and imagining all the chaos that happens when you step in a puddle.

Tread lightly next time you splash around on Albums tag model larkin love luscious rainy day kids! I rerecorded this one from scratch with a new part click here new verses too.

Xxx Laylared Watch Amateur granny anal videos Video Sexfat Video. He comes to give life to the dead He comes to redeem the fall of man This child is the light of day He is the very lamb Saint John prophecied. He comes to give life to the dead He comes to redeem the fall of man This child is the light of day He is the very lamb Saint John prophesied. The language is archaic, some words being unfamiliar to my Hispanic friends and not found in at least the basic dictionaries. And who do you think was in them then? He did whistle and she did sing On Christmas day, on Christmas day He did whistle and she did sing On Christmas day in the morning. And all the bells on earth did ring On Christmas day, on Christmas day And all the bells on earth did ring On Christmas day in the morning. And all the angels in heaven did sing On Christmas day, on Christmas day And all the angels in heaven did sing On Christmas day in the morning. I saw three ships come sailing in On Christmas day, on Christmas day I saw three ships come sailing in On Christmas day in the morning. Are the three ships Father, Son and Holy Spirit? Are they camels, ships of the desert? Was the artist consuming too much ergot in his daily bread? Beside that bed a shrub-tree grows Sing May Queen May sing Mary Since he was born it blooms and blows Sing all good men for the new born baby. Oh, on that bed a young squire sleeps Sing May Queen May sing Mary His wounds are sick and sick, he weeps Sing all good men for the new born baby. Gloria in excelsis Deo! Angels in our midst Have intoned the anthem of the heavens And this melodious song Echoes from our mountains. Shepherds, for whom are these songs, What is this celebration for? Which conqueror, what conquest Deserves these triumphant cries? The rhythmic groove is written right into it. These things will happen. Go tell it on the mountain Over the hills and everywhere Go tell it on the mountain That Jesus Christ is born. Fortunately, I more recently came across the version recorded by the gospel group The Swan Silvertones. As the power and beauty of the song poured through the speakers of my truck radio, I knew I had to make it part of the album. And all the silences of the night Leap in song Like that of a river cascading from the wild mountain to the slow human plain. Silent Night cover Silent night Holy night All is calm All is bright Round yon virgin mother and child Holy infant, so tender and mild Sleep in heavenly peace Sleep in heavenly peace. Silent night Holy night Shepherds quake at the sight Glories spring from heaven above Heavenly hosts sing Hallelua Christ the saviour is born Christ the saviour is born. I loved it as a child and still do. Have courage, you who are human beings: Mary has given birth. Three men of great authority have left for the place of his birth Tiscient, the star appearing over the horizon leads them there That star will walk first on the bath to guide them Jesus, he is born. As they entered and saw Jesus they praised his name They oiled his scalp many times, anointing his head with the oil of the sunflower Jesus, he is born. It was written early in the s by the Jesuit Fr. Jean de Brebeuf, who acquired fame and martyrdom soon after when he was ceremonially barbecued by members of the Iroquois confederacy, who went on to virtually obliterate the Hurons and their culture. They were encouraged in this by British colonial interests who were after control of French claimed territory, much of which was traditionally Huron. Those of this latter tribe who survived the wars were mostly absorbed into Iroquois communities. A few, however, stayed with the French colonies. Their descendants inhabit a couple of villages in modern Quebec, but their language has largely been lost. Special thanks are due to John Steckley for his help as translator and pronunciation coach. O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy! In Bethlehem, in Jewry This blessed babe was born And layed within a manger Upon this blessed morn For which his mother Mary did nothing take in scorn. Now to the Lord sing praises All you within this place And with true love and brotherhood Each other now embrace This holy tide of Christmas All others doth deface. Yet with the woes of sin and strife The world has suffered long Beneath the angel-strain have rolled two thousand years of wrong And man at war with man hears not The love song which they bring O hush the noise ye men of strife And hear the angels sing. It happened that I was on tour at the time, and it happened that Sam Phillips was the opening act on most of that tour, so it was natural she should be a guest on the radio show. The next best thing was to sing it that way — so here it is. What did she name him? My Lord What did she name him? Oh My Lord What did she name him? My Lord The people keep coming but the train has gone. Who heard the singing? My Lord Who heard the singing? Oh My Lord Who heard the singing? Joy To The World cover lyrics coming. Tracks recorded by: Eric Ratz Mixed by: Mike Piersante Mastered by: Vivienne Williams appears courtesy of Benchmark Recordings. Rumours OF Glory box set disc 5 — 3. Bone In My Ear 3: Moon in the water Cold light in the streets Warmth in your fingers Sweat in your sheets Laid out like an offering Where two currents meet The river is dark But the water is sweet. Rumours OF Glory box set disc 5 — 4. Wurlitzer piano T-Bone Burnett: Scanning These Crowds 3: Something fell on Saskatchewan in Where is it now that we need it, in this century of jive? Southland OF The Heart 4: In the southland of the heart Where night blooms perfume the breeze Lie down Take your rest with me. In the southland of the heart Where the saints go lazily Lie down Take your rest with me. In the southland of the heart Everyone was always free Lie down Take your rest with me. Train In The Rain 3: Speechless — 8. Someone I Used To Love 3: This current flows between us That will not be denied You draw me in towards you Like the moon pulls at the tide May no shadow ever fall That will make me have to call You someone I used to love. Rumours OF Glory box set disc 5 — 9. Love Loves You Too 4: Sunrise On The Mississippi 3: Closer To The Light 4: Gone from mystery into mystery Gone from daylight into night Another step deeper into darkness Closer to the light. Tie Me At The Crossroads 3: Slice O Life — Featuring a variety of musical influences, coupled with intelligent lyrics and catchy melodies, Dart to the Heart is an accessible and likeable album. Chris Laidlaw Technical Assistance: Anthony Aquilato Also recorded at: Sara Rutman, Chris Austopchuk Photography: So I just wrote a song about creatures from the ocean living in the desert and in the sky and in outer space and wishing that they could be back in the ocean. Maybe this song is about being nostalgic for home? I just love imagining an octopus in weightlessness! When my kids were very little I would lay them on a blanket and sit there with a guitar and play improvisations about how much I love them and how cute they were. A bunch of songs came out of this and two of them are on this record. This one was for my daughter and is just a simple groovy love song reminding a baby that a baby is a baby is a baby. A definite nod to the Beatles influence on this one. Albums came and went and I just felt that there was something not quite right about it. Finally I decided to try stripping the words away and painting a different picture. I love the idea of a hippo gliding around and getting down on the dance floor. I am enjoying making songs about dancing. There are three on this record so try to find them all! I thought it would be fun to do a song at live shows where I ask the kids to pretend to be a tree. They can shake their branches and leaves and kick up their roots and move about. I like to pretend that trees secretly have the ability to pull up their routes and run around. I have a whole other song I'm working on based on the legend of trees that can move. In the meantime here's a tree song you can move to. I started thinking about hip-hop and how the person rapping is usually talking about how strong and amazing they are. Bubbles are weak and vulnerable and I thought it would be fun to write a rap song from the point of view of something that is not strong. Musically I'm kind of trying to send everybody back to the early 80s in New York when rap was born. I'm pretty proud of some of the rhymes and the song! It poured out of me in one sitting and the vocal you are hearing on the track is a temporary vocal that I put down right when I wrote it but I was never able to beat so I left it in there. Words like "antidisestablishmentarianism". That recording was never released at all but eventually it mutated into this idea of trying to write a lullaby but getting too excited and making it so loud but that it's not about going to bed at all anymore. Originally this song had a lot of guitars on it but slowly over time I took them away and replace them with more of a marching band oompah symphonic sensation. Stay up all night kids! George and Tom strolled through the garden playing ukuleles having a grand old time. When George went to leave he asked Tom if he wanted more ukuleles. Tom said he was okay with one ukulele but George insisted and opened the trunk of his car to reveal a HUGE pile of ukuleles. The moment Tom Petty finished telling the story I realize I had to write a song about this incredible moment. I think it's good advice to always keep a ukulele within arms reach! You never know when you need to elevate your mood with the sparkly sound of a uke. I wanted to help her to envision herself leaving her bed and dancing around much like a flower would leave its flowerbed to dance around. In the end I changed the name but the idea of a dancing flower that leaves it's flower bed and can move freely and dance as much as it wants to is the main idea of this tune. This is just a pure improvisational expression of love from a parent to a little new baby. It's fun to remember when they needed so much help especially once they've grown and gone to college like my little boy has. It was a bit too spooky and creepy so I made it about a rubber ball that I love instead of one that I'm trying to get rid of. All of a sudden the whole thing clicked. There's a great ghost movie that I love called "The Changeling" that features a scene in which a man throws a rubber ball off the Aurora bridge in Seattle in an effort to get rid of it because it reminded him of his daughter who had passed away. When he gets home the rubber ball is bouncing down the stairs of the house supposedly set in motion by the ghost of another child living in the home. I love that movie and wanted to immortalize that rubber ball in a fun positive way so that is what this song is about. There are no ghosts in this song so don't be scared! One of the little kids came up with the melody for the chorus and the other came up with the idea of doing a roll call of the instruments of the symphony. Then I called up Mozart and got him to do the middle part of the song, which features his amazing composition Eine kleine Nachtmusik. Thanks for the help Mozart! The movie was so well done and so evocative with saturated sunshine orange and yellow super eight film that I immediately picked up a guitar and started writing when the movie was over. Originally it was about a baby moving to California but somehow I thought of penguin moving there was a little more bizarre and fun. I like the way the penguin has romantic experiences and practical experiences. It's a big deal to move to a new place. I love the groove in this one and I love any excuse to play slide guitar. It was bizarre and abstract and kind of sad and depressing. I loved the melody and the guitar part but never felt like it was a song I can bring to a band or play live. I decided to crack it open and turn it into a Caspar song about five years ago and it's taken that long to figure out an angle and get the story right. This is based on an experience I had when I was a little kid where a giant crowd of bats smacked into my window and woke me up. It was super scary and I never forgot it. Eventually I decided to put words to it and make it about a lollipop that I remembered getting at Disneyland when I was a little kid. I didn't drop the one I got but in an effort to add a little narrative tension I decided to tell the story of a lollipop that fell in the sand at the beach. I can't think of anything sadder for a little kid. But don't worry it all works out in the end. I thought it would be fun to add a whole bunch more body parts than just the head the shoulders and the knees and the toes. I hope you have fun trying to keep up with me and pointing to all the parts of your baby while you listen to this song. One was high energy and kind of like a hillbilly song and the other was this one that you are listening to. In the end I thought the sensitive presentation served the intimacy of the song better and having it be a knee slapper. A nice mellow album closer about the love between a baby and a parent. The tune remained an instrumental for a long time and I was afraid that it would stay that way since typically if lyrics don't come soon new ideas will stay instrumental forever. I tracked it hoping that words would come and none did but one day as I played it on the porch the words just trickled out and the vision became clear. Sometimes you just have to be patient and wait. He and I wrote dozens of mini songs that were about 30 seconds each. I changed it to a slug because it feels more vivid to me than my own fuzzy and indistinct notion of what a Loris looks like and spends it's day doing. I lost track of how many years but it has been a while. I identified with Charlie Brown when I was a kid. It seemed that his hard luck mirrored my own enough that having the same initials did not surprise me once I realized that was the case. I couldn't fly a kite either and that was the inspiration for this song. I decided to write it from the perspective of the kites that I failed to fly when I was a kid. That album did not get distributed outside of the PEPS families that I made it for so I have been slowly remaking some of those songs and putting them out on Caspar Babypants albums. I decided to expand the lyrics and rewrite them to be about the sensation of being cozy in your home while the storms and scary natural phenomena rage outside. This song was on that record and it was a great version but when I went to update it for a Caspar Babypants record I got excited to update the lyrics. Way back when I wrote it I just had this kaleidoscopic sort of cut away vision of the woods at night and the cast of oddball characters that were crawling around in the pale moonlight. I could sing about the moon all night long! Another example of a simple translation of a surreal vision in my mind to a melodic lyrical miniature song world. The lyrics were a bit different and the feel with upbeat and high energy. A few years later I remembered that tune and changed the vibe to be slinky and dark. It feels like we are flying around fast all over the world seeing a psychedelic montage of creatures succumbing to sleep one by one. I love this one because it makes the hairs on my neck prickle. Set in and around the sea I am just asking some sea creatures if they will allow me to tuck them in as you do! It was fun to use that synthesizer sound in a Caspar song which is not usually in my palette of noises and instruments. One reason is that recorded and rewrote it three times trying to balance the sentiment with the right musical feel and that took about 7 years. Basically it is saying that no matter what kind of human you grow up to be you should take your time and enjoy letting your journey unfold moment by moment. Last winter I made a project out of listening to thousands of fragments in order to find ideas that resonated with me enough to rescue them from the trash pile and make them into something finished. This is one of them. Let's face it, flowers are pretty lazy. Those bees do all the work! I loved to play but preferred to figure out the theme song to "The Munsters" by ear than learn compositions by the masters. The title came from an old childhood memory. My friends Dave and Steve that lived down the street did not have a piano but would hang out at our house a bunch and heard me playing. The low notes being the thunder and the high notes being the rain. It was a little musical joke that I never forgot and eventually I took the title and mutated it into the song on this album. It only took 45 years to fully realize this one! I thought a lot about Carole King on this record. I love Tapestry. I tend to use her as an inspiration and definitely Stevie Nicks. I love Stevie Nicks. But Carole King is probably the most directly. Her voice and the piano. Some Portishead. In ways, some Nina Simone. Those have been consistent influences for me that are maybe just more apparent on this record. Oh, OK, you nailed it for me! There was one person who I really got introduced to when I was making this record and, obviously, that was Kate Bush. Yeah, she was a big influence on this record. Ah, cool. Yeah, I love Tori. I grew up and Tori Amos just was on the radio and stuff. Not really. There was basically like a creative discussion about which one of those should go first and we ended up just putting them back to back. When I listen to the album, the two songs almost kind of blend into one, like a two-part progressive song. Just out of curiosity, were they written back to back by any chance? And so I sort of fleshed it out, but later on. Were either, or both of those sounds, influences on that? Yeah, I think so. I really have a lot of respect for the Motown sound and everything. Yeah, there is. The final acceptance of that. So, what is it about? Their spirit is with me. And I would hope it would be the same. I think I do believe in soulmates. I think I believe in many soulmates in your life. Like a soulmate connection, to me, becomes very clear. But I believe that what you believe is what happens. If you believe something might work, it will probably work. The power of the mind is so incredible in that way. We really do become what we believe. Do you believe in spells? Or is that something you practice? I really think it works. The more I sort of go into all of this stuff, the more I see that what we believe on a root level or even a conscious level is the way our lives tend to drive. When you have situations that repeat over and over again. I do believe color therapy works. I know there is. I started wearing a black tourmaline when I was working a job that dealt a lot with people. It was a people job. I had to work with people a lot. And I noticed when I was wearing black tourmaline people were not as easy to get me [upset]. I felt like I had a strong sense of armor up. What do you think about colors? I do believe in colors insofar as a lot of the spells I do are simple candle magick and certain colors are used for certain types of spells and in certain combinations and stuff. But definitely with crystals, too. I had a bad experience with someone in the past — it will give me a panic attack if I start saying everything they did — but there were threats and blackmail and it was just insane and I often felt like she was putting hexes on me. Because she had threatened to do that. And my father gave me this ring. Yeah, I think crystals can be protective. The only thing I question is how some witches or new age type people will say you need this crystal for this and another crystal for that and so they would give you a bag with like eight different crystals in it for you to wear or carry on you. If I have all this abundance of crystals and all this abundance of religions. I tend to choose teachers who follow really specific lineages. Like somebody like my yoga master teacher in Indian and a Shaman I worked with in Peru. And I see that happening with people in the spiritual community, just mixing many traditions and kind of creating their own philosophy. But, for me, I think something might be lost in that. For me, I guess I do kind of pick and choose things. I identify as a witch but pray to Catholic Saints. Justin from The Okee Dokee Brothers played banjo on this track and Joe sang harmonies on the choruses. Thanks for the inspiration guys! She chirped "you should write a song about a turtle train! The song came out of slowing down for a leisurely breakfast in town and turned out the song is about slowing down in life. I think I am more of a sleepy snail than a speedy spider. Jen improvised over it with new lyrics about being sleepy and a new melody and the song was born! It was rough and short though and needed to be recorded for real. That task only took 15 years to complete and now it can finally see the light of day. Peppers bookend thing on the first record but there were just too many songs to do it. So now's my chance! This song was the first Beatles song I ever heard since I got Sgt. Peppers when it came out in when I was only 2 years old so it is completely intermingled with my sense of being a child and the surreal possibilities of the Beatles music. Amazingly the beginning sound of the orchestra tuning up was from a totally unrelated recording I made on an accordion and I had not included it until I realized it sounded just like the chord on the record or at least my memory of it and it fit perfectly. A nice serendipity moment which is great because the making of the real Sgt. Peppers record was full of coincidences when the Beatles recorded it. They were really insistent that I record it for this album so in that context I decided to record it. Boy am I glad I did. It is pretty fun to have it in the number two spot just like on the original album. Originally Ringo recorded his vocals at 5: Poor little Ringo! So I just sped it up and energized it with a sort of gospel explosion. Of all the songs on the album this one was the easiest for me to sing for some reason. It just flowed out so naturally and I did the lead vocal in one take. I was literally bouncing off the walls in my studio as I did the shouting singing celebration at the end! Paul wrote this for John's son Julian so it is at it's heart a kid's song already. I just could not stop thinking about this song and before I knew it I was in the studio making a new version. It came out so well that I figured I might as well go ahead and make the whole second album! I am happy to present this song also because it is the companion song to Paul's Penny Lane about childhood. Strawberry Fields was a park that John played in when he was little and the song is his tribute to a happy time when he was small and life was simple. The slinky feeling of the music made me super happy. One day my Dad took me out to lunch at a pizza place called Shakey's and they had a jukebox with For You Blue on it. This was probably so it was only a few years after the song came out. When I asked my Dad for a dime to play the song he said I couldn't have one because I had the record at home and could hear it for free. I think in the end that experience made the song even sweeter since every time I hear it I remember NOT being able to play it. Thanks DAD! RAIN I have always LOVED this song and the drone like sound of it and the sentiment which is that a rainy day is not a bad day at all and that we create these limitations for ourselves that require everything to be perfect in order to be happy. I just wanted to lighten it up and make the content of the vocals come to the front. At its core this is a super simple song with a super simple message. Be happy because you are alive not because of your surroundings. In the beginning the Beatles played without a drummer for a bunch of their first gigs and because there were four guitars they sold the lack of a drummer with eh phrase "The rhythm's in the guitars! I decided to see how that theory would sound and just made this thing with only guitars save for the little Billy Preston style piano here and there and HORNS! Interesting side note is that Billy Preston who played piano on this song on Let It Be also played with and socialized with the Beatles in when he was Little Richard's organist and played shows with the lads from Liverpool around the time when they wrote this song. It tells a vivid story too which is always a winning quality of a good song for me. I can really SEE the story and atmosphere come to life in my head as I listen to it. So I indulged myself and put it on the album. I had to redo it a few times to get my voice near those high notes and ring out like Paul's does on the original song. But it was worth it. I got the broken baby keyboard to do the bass line here again and got a funny gnome from the garden to come in and play flute. Another example of getting a bit more energy and speed into the performance than the original to bring out the groove of the song. What better sums up the Beatles contribution to our collective unconscious that their promotion of the concept of loving each other. I ramped up the country feel in this version just because I always heard it bubbling just under the surface and it was fun to bring it out a bit. This one did not make it onto the first record and I am glad it didn't because I added a bunch of bells and whistles to this new version. How do you do what you do? It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! It was fun to create the super angelic "see how they run" parts and use my super broke down old Kawai baby keyboard for the bass line. I sure do love a half busted cheapo keyboard. Strange that I have not written a Caspar Babypants song about a pig but I do sing about then as I bop around all day. SO this seemed like a great one to include. I loved replicating the end part with he crisp cellos too. This one was also recorded for the first album but got bumped so it is great to have the chance to get it out here. The lovely and talented Rachel Flotard helps out on vocals and does a great job with the harmonies. I like this one for kids because it is repetitive and deals with opposites. A little bit of an opportunity to think about that stuff. Also the fat luscious chords are so fun to play and listen to. I have played this song live a bunch with my grown up band and originally thought I would do it pretty straight and strummy on a guitar but once I fired up that silly keyboard things just flowed and it all came together. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it! They sped them up to make him sound younger since he wrote this song when he was a teenager. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals! I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones and you! I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. I decided not to add it in the end HA! Plus if you let the album repeat then it fades into the beginning bit of SGT. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. Drums Carlos Del Junco: Trombone Daniel Janke: Kora 9. Look How Far 5: So many miles, so many doors Some need patience, some need force All fall open in their own due course To allow us this time. And look how far the light came Look how far the light came Look how far the light came To paint you This way. And I picture us in this light Friendship a fine silver web Stretched across golden smoky haze And this is simple And this is grace. And this light Is a guest from far away Passing through The last whisper of day. Trombone Janice Powers: Keyboard Lucinda Williams: Harmony Deep Lake 6: Use Me While You Can 7: High above the plains little grey houses blend with giant jagged boulders and pale weathered stumps. Turbaned rider, blue robe billowing, bounces with the shambling trot; wears a sword and a rifle on his back, and hanging from his neck, a transistor radio…. Under the wan disc of sand-masked sun A woman grins — spits expertly Into the path of a struggling black beetle Six feet away Hoists her water bucket onto her head And strides off up the trail…. Sun a steel ball glowing Behind endless blowing sand Sun a steel ball glowing Dust of fallen empires slowly flowing through my hands Use me while you can. Pearl held in black fingers Is the moon behind dry trees Pearl held in black fingers Bird inside the rib cage is beating to be free Use me while you can. Bullet in a sandstorm Looking for a place to land Bullet in a sandstorm Full heart beats an empty one In the deck they dealt to man Use me while you can. Bass Daniel Janke: Kora Lucinda Williams: Rumours OF Glory box set disc 6 — Production notes: Mixed at Sound City, Los Angeles. Song credits: Daniel Janke played kora click for picture: Rumours OF Glory box set disc 7 — 2. Wondering Where The Lions Are 3: Tokyo 3: The Trouble With Normal 3: Lovers In A Dangerous Time 4: Waiting For A Miracle remix 4: If a Tree Falls 5: A Dream Like Mine 4: Listen for the Laugh 4: Night Train 6: Last Night of the World 4: Bruce Cockburn bass: Steve Lucas drums: Ben Riley violin: Hugh Marsh electric mandolin: Colin Linden background vocals: Mark Prentice. Bruce Cockburn and Colin Linden Remix engineer: John Whynot Assitant engineer: Photography by Kevin Kelly. The Finkelstein Management Company ltd. Recorded by Hohn Whynot. Assisted by Chuck Linder. Background vocals: Patty Griffin. Recorded and mixed by: Assisted by: King Williams and Jeff Elliot. Recorded at Reaction Studios, Toronto August, Tried And Tested 5: Electric Guitars and Vocals Gary Craig: Drums John Dymond: Bass Hugh Marsh: Violins and Loop Ben Riley: Additional Drums Sam Phillips: Also On Rumours Of Glory box set — disc 7 — 2. Open 3: Drums and Percussion John Dymond: Violin Colin Linden: Electric Mandolins Sarah Harmer: Harmonies 3. All Our Dark Tomorrows 6: Violins and Loops Ben Riley: Additional Drums Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — 4. Trickle Down 6: Workfare foul air homeless beggars everywhere Picturephone aristocrats lounge around the pool Captains of industry smiling beneficently Leaking hole supertanker ship of fools. Trickle down give me the business Trickle down supposed to give us the goods Cups held out to catch a bit of the bounty Trickle down everywhere trickle down blood. Take over takedown big bucks shakedown Schoolyard pusher offer anything-for-profit First got to privatize then you get to piratize Hooked on avarice- how do we get off it? Electric Guitar and Vocals Rich Brown: Bass Gary Craig: Percussion kit Hugh Marsh: Violins Ben Riley: Drums Andy Milne: Also On Rumours Of Glory box set — disc 7 — 5. My child I thought was a boy is Chief ethics officer and her integrity unit director both quit Grey's Anatomy recap: Endgame directors reveal why Robert Downey Jr. TV star films new documentary in Mexico Delilah Hamlin pops out for a pedicure as she goes bra-free in a semi-sheer white tank The year-old daughter of Lisa Rinna and Harry Hamlin Gordon Ramsay's newborn son Oscar shows off his pout in sweet snap Killer doll brings high-tech horror to a new generation in Child's Play remake The sinister Buddi doll has returned Inside Victoria Beckham's 45th birthday: Star celebrates with donuts for breakfast and a personalised doll Pity Sir David got hijacked by doom-mongers' pet theories in Climate Change: The Facts Uma Thurman cuts a chic figure in neutral coat with denim bottoms while stepping out in New York City Stepped out in a stylish ensemble Jason Momoa fans are distraught as actor gets rid of his famous beard Fans spot hilarious gaffe as they wonder when Sarah Platt learned to drive Emily Atack becomes the latest celebrity victim targeted by hackers who stole actress's 'intimate' private photos New report Emma Roberts and new love interest Garrett Hedlund stop by a liquor store before heading to pal Taylor Swift's house for dinner Stepping out Linda Cardellini awkwardly reminds Seth MacFarlane about how she was once 'fired' from Family Guy When sitting down with the late night host. Today's headlines Most Read I tried to kill myself when womanising 'Strictly snake' dumped me: Kevin Clifton's heartbroken second wife Brexit's killing us on the doorsteps': You've been Meghan Markled!.

Jen Wood is back singing Albums tag model larkin love luscious lead vocal too just like the original. She has the perfect simple innocent little voice for this tune. It's just a simple bouncy number. Grab your baby and dance dance dance. Albums tag model larkin love luscious also changed the animal that is living in the girls hat from a snake to a squirrel because after I recorded it I didn't like the sound of SNAKE and squirrel rhymes with girl.

It is not often that a song in a dream turns out to be any good at all. Usually they are so nonsensical that even if I remember them they are too abstract. I am super glad that this one worked out. Rachel Flotard came in and really concentrated on an amazing vocal performance. Her harmonies MAKE the song come to life. Thanks Rachel!

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That poor rain has no choice but to fall and we NEED it to fall. I used to love to go out in the rain when I was a kid and I still do.

I always say there is no such thing as bad weather just bad clothes.

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Once when I was super little I was in the rain and I sang the old traditional version and it stopped raining immediately when I finished. I guess I remembered that and it made me want to do a song that praises the rain a bit. He was the father of the mother of my kids and a great human being.

Unfortunately he passed away. I used a term of endearment that his wife Jani used to call him for the title of this song.

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I wanted to remind all of us that lost him that he is still around in the stillness of a quiet morning if you get up early and just listen. We all love you early bird. So I made up my own from scratch in the same feel as the one I heard but with all new chords and lyrics.

I love the idea of a wee barnacle being scared in the night with the crashing waves and storms and al the other barnacles singing encouragement to hold on tight. So the lyrics are protesting going to sleep while Albums tag model larkin love luscious music will Albums tag model larkin love luscious make you drowsy. I wonder if it will work to actually make kids feel relaxed? Sing along then sleep along BYE BYE DAY My friend John Roderick has a young daughter named Marlo and one night as they were getting ready for bed they were standing at the window and it was click here and the light was fading out and in the silence she said in a super cute and tiny voice "bye bye day".

He told me the story and I immediately could hear the song to go with that phrase. It changed a bit as I wrote it but mostly it is the moment of joy at hearing that story that is in this web page song.

Hope it makes you go to bed and dream. To me this song says "get out and be in nature and feel the seasons change" and I thought it would be the perfect first song for the record. I sped up the original tempo and gave it an energizing feel so that you can move and groove to it. This is the only use of synthesizer on a Caspar Babypants record! The original is loose and ragged but I thought that the theme of being all together would be illustrated and supported by making the recording tight and very together.

I was not going to do this one originally because it seemed obvious and over done, but when I found a way to make it my own it became one of my favorites. Sing it. I used to put it on at full blast and run around the house naked refusing to take a bath!

I figured out the secret of it Fysah sings the lead here and I chime in from time to time. She sounds soul-tastic! I certainly raided my own parents record collection for inspiration when I was a kid and found some amazing bits that still influence me.

Plus this song is a call to get up and move to the Albums tag model larkin love luscious so I like it near the beginning of the record to keep the dance party moving along. And mother's usually know what is what!

This good time little celebration thing gets a boost from Rachel Flotard on backing vocals doing the Yoko parts.

The inspiration Albums tag model larkin love luscious this song came from continue reading improvisation in India that The Beatles did Albums tag model larkin love luscious Mike Love from the Beach Boys on his birthday.

It kind of stuck and turned into this song from there. With this article source I noticed that the call and response at the end was always my favorite part. The song seemed to open up and get really fun at that point. So I took that dynamic and made it the whole focus of my version. To take it a bit further and make it simple I took out almost all of the music to make the story and images really clear.

Dust off your signing voice and join in! Rachel Flotard and Jen Wood are doing the responses. I love the family as a rag tag band of fun lovers feel to the lyrics and thought I would push the envelope on tempo and see how fast I could get this thing to move.

I also cut it down by half almost to make it a quick burst of energy. Jen Wood plays the part of Molly and does a great job with the bubbly bouncy sing Albums tag model larkin love luscious attitude.

What I love about this song is how the skiffle influence is still apparent in the feel and rhythm of the original. I thought I would bring that out by turning it into a bit of a hillbilly vibe. I think it works really well as an old mountain song don't you? I can just see the Beatles sitting around on the back porch of a busted old shack in the swamps. I drive around in my old neighborhood every so often and soak in the atmosphere of my super happy childhood and can hear this song echoing around in the air.

This song captures that feeling so well that it seemed like a natural fit for the album. It was extremely fun and even though it was a bit hard to replicate that French horn solo on the clavinet I finally nailed it! Albums tag model larkin love luscious suggested Albums tag model larkin love luscious take a look at this song when I was choosing which to try and I did and it just worked so well. Thanks for the idea! I am not sure if Paul recorded this in a drop D tuning but it sure worked Albums tag model larkin love luscious me.

A pretty faithful version but with a bit more energy. It is also hard to NOT do this one with the words "mother" and "son" in the title!

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This was the first song I recorded for the album over three years ago. I wanted to contrast the verse and chorus by making the verse really sparse so the message of the Albums tag model larkin love luscious could come straight through.

I chopped the song down to it's essential parts and kept it short and sweet and simple. It turns out that love IS all you need!

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Those mop tops were smart like that. The original is rocking and loud and obviously about the object of the singers affection and desire. I continue reading made it musically innocent by sprinkling Albums tag model larkin love luscious Buddy Holly vibrations on it and the meaning changed to be literally about a child.

This was a fun chemistry experiment! AND I got to play my little harmonica. I was glad to sneak another early career Beatles song in to the mix as well. This is one of the obvious choices that I resisted at first again because it has been done many times, but found that once I broke it down to the basics and simplified the layers a bit it stared to feel more like a Caspar tune.

Albums tag model larkin love luscious I love songs that allow you to travel to places that normal life can't take you I had to include this ticket to the bottom of the sea! The beginning part was really hard to figure out but I stuck with it all afternoon and finally got it! I started out with a crazy drum machine thing on a little cheap keyboard and built it up from there. In the end I got rid of the messy drum Albums tag model larkin love luscious sounds and let the song breathe.

The sentiment of unconditional love seems to make it a really good parent to child love song. Jen Wood helped out here with a sweet high harmony too.

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John's original lyrics were from an advertisement he saw Albums tag model larkin love luscious said "cry baby cry, make your mother BUY" but he changed it a bit. I did a pretty straight forward version of this song just because it felt really good to play it check this out way.

This one unfolds like a classic children's picture book and has that timeless nursery rhyme vibe to the images of kings and queens. I had to record this song twice from scratch because I had such a hard time getting the images to really pop out of the music. I tried it in the original key at first but it was too shrill for my taste so I lowered the pitch and changed the sound of the main instrument to be softer. Finally the images began to come to life and I think the extra effort paid off.

I Albums tag model larkin love luscious to sing this one along with the record over and over when I was a kid matching John Lennon's vocal inflections word for word. Thanks Rachel! That poor rain has no choice but to fall and we NEED it to fall.

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I used to love to go out in the rain when I was a kid and I still do. I always say there is no such thing as bad weather just bad clothes. Once when I was Albums tag model larkin love luscious little I was in the rain and I sang the old traditional version and it stopped raining immediately when I finished. I guess I remembered that and it made me want to do a song that praises the rain a bit.

He was the father of the mother of my kids and a great human being. Unfortunately he passed away. I used a term of endearment that his wife Jani used to call him for the title of this song. I wanted to remind all of us that lost him that he is still around in the stillness of a quiet morning if you get up early and just listen. We all love you early bird.

So I made up my own from scratch in the same feel as the one I heard but with all new chords and lyrics. I love the idea of a wee barnacle being scared in the night with the crashing waves and storms and al the other barnacles singing encouragement to hold on tight.

So the lyrics are protesting going to sleep while the music will hopefully make you drowsy. I wonder if it will work to actually make kids feel relaxed? Sing along then sleep along BYE BYE DAY My friend John Roderick has a young daughter named Marlo and one night as Albums tag model larkin love luscious were getting ready for bed they were standing at the window and it was quiet and the light was fading out and in the silence she said in a super cute and tiny voice "bye bye day". He told me the story and I immediately could hear the song to go with that phrase.

It changed a bit as I wrote it but mostly it is the moment of visit web page at hearing that story that is in the song. Hope it makes you go to bed and dream. To me this song says "get out and be in nature and feel the seasons change" and I thought it would be the perfect first song for the record.

I sped up Albums tag model larkin love luscious original tempo and gave it an energizing feel so that you can move and groove to it. This is the only use of synthesizer on a Albums tag model larkin love luscious Babypants record! The original is loose and ragged but I thought that the theme of being all together would be illustrated and supported by making the recording tight and very together.

I was not going to do this one originally because it seemed obvious and over done, but when I found a way to make it my own it became one of my favorites. Sing it. I used to put it on at full blast and run around the house naked refusing to take a bath!

Banana Tube Watch Secretary porn vid Video Dasixxx Pk. It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! It was fun to create the super angelic "see how they run" parts and use my super broke down old Kawai baby keyboard for the bass line. I sure do love a half busted cheapo keyboard. Strange that I have not written a Caspar Babypants song about a pig but I do sing about then as I bop around all day. SO this seemed like a great one to include. I loved replicating the end part with he crisp cellos too. This one was also recorded for the first album but got bumped so it is great to have the chance to get it out here. The lovely and talented Rachel Flotard helps out on vocals and does a great job with the harmonies. I like this one for kids because it is repetitive and deals with opposites. A little bit of an opportunity to think about that stuff. Also the fat luscious chords are so fun to play and listen to. I have played this song live a bunch with my grown up band and originally thought I would do it pretty straight and strummy on a guitar but once I fired up that silly keyboard things just flowed and it all came together. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it! They sped them up to make him sound younger since he wrote this song when he was a teenager. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals! I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones and you! I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. I decided not to add it in the end HA! Plus if you let the album repeat then it fades into the beginning bit of SGT. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. This some was the bit that I made up about the owl. I hope it does not encourage your kids to stay up all night! I think it is more about that desire than a suggestion to do so. It was an elderly man on stage singing a song all by himself with no musicians. His voice had a lonely quality that was sweet and haunting at the same time. I tried to make this song occupy the same space but I got excited to put instruments on it so I made it about playing music so I could justify the added parts and music. This one is dedicated to my late great Daddy. Musically I worked very hard on this one to make it move from part to part and not get monotonous. Lots of weaving guitar bits coming together here. Getting that lead vocal to sit right took a while. It was challenging but I love the results! No big story here. Just a sweet little turn of phrase that made me smile. I do like the stop and start quality of the arrangement and that came about over time. That effect makes me sleepy. From time to time I would just improvise and try to push out a song. I was in my room and sang about the view from my window and that was it. That song sat around for 20 years unfinished then I read a book about the psychology of children's books and why some work and some don't. In the book they talked about "Goodnight Moon" and why it was successful and the iconic, romantic relationship we humans have with the moon and how that fires children's imaginations. When that song floated back into my mind I focused on the idea that image of the moon is about fantastic distance and possibility for adventure and made the verses about the crazy things that you might do out there under the moon. He sent me some movies and testimonials and I was struck by one guy who told his story of loosing his family in the water. So I changed the theme to be about fish and how they sleep under the water during storms and stay cozy despite the tempest above. I had a dream about her in which she was a big blue dragonfly in a twighlight swamp and I was going to visit her. When I told Kate about the dream and told her the song was called "Dragonfly Blue" she said that was so weird because the color of the paint on the walls of Christina's restaurant was called "dragonfly blue". That coincidence made the song really come alive. Originally this was a little song called "My Dolphin Blue" that my daughter Josie wrote with her cousin Claire. But try as I might I could not make the dolphin imagery work for me. When the image of a blue dragonfly came along I rewrote the words and the song was born. So I made it about all the wee critters that live in the dirt hoping that thinking about them would make little brains tired. Hope it works! I ended up playing it that day at the show and a few years later here it is on an album. Thanks for the inspiration Sara and Mary. I liked the melody and the phrasing but when I thought about is for a Caspar song I didn't want to have the word sick in there. On the recording you can hear Augie asking "Sick puppy?? Why is there a sick puppy?? No matter how sad it feels to be left alone to go to sleep you will feel better after a good nights sleep I promise. It was called "Close Your Eyes Little Sister" and I changed the title to be a bit more universal in case you don't have a sister. Originally it was written for my daughter Josie as a lullaby that I sang to her as she went to bed. This thing has SO many chords in it that it is pretty fun to play on piano. He had another song about the moon as well supporting the romantic connection to little minds with the moon from the book mentioned above! I only remember the title and turned it into my own song. There is something interesting about this recording. There is another Caspar Babypants song that uses the exact same chords as "Sliver Moon" but is way more up beat. Can you figure out which one it is? Contact me if you think you know. That happened because I liked the chords to this song but had too many slow songs so I turned it into a whole new song using the same chords. Later I found this original recording and it fit on this album so here it is. I got rid of the specific Christmas stuff and made it about being cozy inside as the cold world freezes outside and all you have to do is drift off in time. The original theme was about not being able to go to sleep on Christmas night. Somehow it felt half baked and when I put that idea of shutting off your chattering mind in there it felt right! The long trippy outro part is one of my favorite moments on the album. It is hard to describe in words but that is the best way to talk about it. This is the longest Caspar Babypants song ever and it may work well to put it on repeat in a sleeping babies room on low volume and see if it lulls the little thing to sleep. I wanted to have a song that is not about anything specific to going to sleep but is about a universal energetic sensation that is an abstraction of losing consciousness and drifting off to dreamland. Originally this came from hanging out with my fiend Dave's daughter Katherine in the early morning in Ohio just talking about the day starting up and what we might want to do. I had a guitar and started turning some of our conversation into a song and that was the seed. Then it got recorded and went through many changes and editing. The last part to be added was the beginning quote from a piece called "Morning" from the Peer Gynt Suite by Edvard Grieg. I quoted him before in the song Skeletone. I love the HUGE ending on this song. I think that is the biggest moment on any Caspar Babypants album! Originally the worm gets stuck inside a soda straw but I didn't want soda pop anywhere near my song so I changed it to have the worm be lost in a huge pile of straw. I also gave it a bit of a gospel feel with good call and response opportunities. So sing along! I don't know if he forgot how to fly or if he is just an industrious little thing. I had a blast recording this one and it came together really fast. It is a riff off of a traditional song called Red Bird that I heard Ledbelly play on an album one time. Years and years later I changed it to be about a band of creatures that plays under my bed because the other version was just too weird! I like that the band is not scary just really catchy. This was an EPIC effort to find a way to do this song that is fresh and true to it's roots. First of all I tried doing it the classic mellow way but the lyrics are so full of random images and "if this then this" that I found it to be very ineffective as a lullaby. Also it was always about what Mama would give you. Where was the Papa? I tried doing it Chuck Berry style but it just sat there. I tried it with other singers. I tried it with new verses but the lyrics were always a bit materialistic with all the disappointment and BUYING things for the kid. That version has energy and swagger. I rewrote the lyrics to include both Mama and Papa and put it to the original higher energy feel and solved the puzzle. So naturally I thought it would be perfect for a Caspar Babypants reincarnation! I changed it to be about a mouse that makes a name for himself by learning how to grab the bait out of traps without getting trapped. I wonder if he will ever get caught? They are grown up now but I still like to pretend that it is true so I turned that idea into this little song. I had wanted to write a song about this idea for a long time but had to wait for years for the right melody to present itself. I am glad I waited. I love this song. I was trying to capture the wonder of being alive in a song. It turned out to be too abstract so I gutted it and made it about this wee crab that I met on the beach on an island a little while ago. It seemed like it was having a bad day and wanted to get me but it was also an amazing creature with its intricate shell. In the end you can listen to this song if you are feeling crabby and maybe it will cheer you up! One time I was doing a sort of hang out songwriting session at Camp Long in West Seattle and Daniel came and helped me come up with this song. I wrote two versions with totally different music because I was not sure how best to capture the fast and slow thing. In the end this is a unique song because of the speed changes and the funny idea that your shoes would want to run around in the night without you! Thanks for the help Daniel!! Don't be afraid to take time to do nothing everyone. And it's ok to be busy too! Which one are you mostly? This is a case of me writing a song that sounds like an old song from long ago that I am updating but it is an original new tune. I love the idea that a chicken will want to peck at my cornbread so badly that it will learn how to fly and time travel in order to get a bit for itself. That chicken is very persistent. I added the "why did you eat my cornbread chicken chicken" part way after recording the song. We were in Hawaii way back in and a bird came into our hotel room and Kate and I named him Goober and I wrote a song about him. The problem was that I ripped off The Who's song Tommy without realizing it. Good old "Weird" Al Yankovic alerted me to the blunder when I sent him some rough mixes to check out and so I rewrote the whole song with a new melody and a story about wanting to keep the bird but the bird saying "NO! All of that took 6 years so you better enjoy it! This is the other little rock opera on the album. I snuck a little bit of an homage to Bohemian Rhapsody by Queen in there in the middle too. It was about how food changes after you eat it into POOP! But in the end HA! Get it? Plus I think it is fun to imaging talking to clouds. They go through a lot of changes. They know stuff. They are patient and adaptable which are good attributes. I loved rhyming "bottom" with "autumn". That was my nod to the original lyrics. One time when we were there and poking around on the beach this song just came drifting into my brain. I rushed back to the tent and wrote it on a wee ukulele and a scrap of paper. It sounds like a fun challenge to try to dig fast enough to keep up with those little clams. I played it that night at an open mic at the restaurant there but it took 4 years to finish writing it and get it recorded. I am slower than those fast little clams. It was beautifully done and they sound great. At one point they meet an old man living in a shack in the forest and they hang out with him for a bit. He seemed pretty prickly and like he wanted to be alone way out there but he let them spend time with him anyway. Somehow the music they were playing and the idea of being isolated gave rise to this idea of being unhuggable and things that are prickly in nature. Justin from The Okee Dokee Brothers played banjo on this track and Joe sang harmonies on the choruses. Thanks for the inspiration guys! She chirped "you should write a song about a turtle train! The song came out of slowing down for a leisurely breakfast in town and turned out the song is about slowing down in life. I think I am more of a sleepy snail than a speedy spider. Jen improvised over it with new lyrics about being sleepy and a new melody and the song was born! It was rough and short though and needed to be recorded for real. That task only took 15 years to complete and now it can finally see the light of day. Peppers bookend thing on the first record but there were just too many songs to do it. So now's my chance! This song was the first Beatles song I ever heard since I got Sgt. Peppers when it came out in when I was only 2 years old so it is completely intermingled with my sense of being a child and the surreal possibilities of the Beatles music. Amazingly the beginning sound of the orchestra tuning up was from a totally unrelated recording I made on an accordion and I had not included it until I realized it sounded just like the chord on the record or at least my memory of it and it fit perfectly. A nice serendipity moment which is great because the making of the real Sgt. Peppers record was full of coincidences when the Beatles recorded it. They were really insistent that I record it for this album so in that context I decided to record it. Boy am I glad I did. It is pretty fun to have it in the number two spot just like on the original album. Originally Ringo recorded his vocals at 5: Poor little Ringo! So I just sped it up and energized it with a sort of gospel explosion. Of all the songs on the album this one was the easiest for me to sing for some reason. It just flowed out so naturally and I did the lead vocal in one take. I was literally bouncing off the walls in my studio as I did the shouting singing celebration at the end! Paul wrote this for John's son Julian so it is at it's heart a kid's song already. I just could not stop thinking about this song and before I knew it I was in the studio making a new version. It came out so well that I figured I might as well go ahead and make the whole second album! I am happy to present this song also because it is the companion song to Paul's Penny Lane about childhood. Strawberry Fields was a park that John played in when he was little and the song is his tribute to a happy time when he was small and life was simple. The slinky feeling of the music made me super happy. One day my Dad took me out to lunch at a pizza place called Shakey's and they had a jukebox with For You Blue on it. This was probably so it was only a few years after the song came out. When I asked my Dad for a dime to play the song he said I couldn't have one because I had the record at home and could hear it for free. I think in the end that experience made the song even sweeter since every time I hear it I remember NOT being able to play it. Thanks DAD! RAIN I have always LOVED this song and the drone like sound of it and the sentiment which is that a rainy day is not a bad day at all and that we create these limitations for ourselves that require everything to be perfect in order to be happy. I just wanted to lighten it up and make the content of the vocals come to the front. At its core this is a super simple song with a super simple message. Be happy because you are alive not because of your surroundings. In the beginning the Beatles played without a drummer for a bunch of their first gigs and because there were four guitars they sold the lack of a drummer with eh phrase "The rhythm's in the guitars! I decided to see how that theory would sound and just made this thing with only guitars save for the little Billy Preston style piano here and there and HORNS! Interesting side note is that Billy Preston who played piano on this song on Let It Be also played with and socialized with the Beatles in when he was Little Richard's organist and played shows with the lads from Liverpool around the time when they wrote this song. It tells a vivid story too which is always a winning quality of a good song for me. I can really SEE the story and atmosphere come to life in my head as I listen to it. So I indulged myself and put it on the album. I had to redo it a few times to get my voice near those high notes and ring out like Paul's does on the original song. But it was worth it. I got the broken baby keyboard to do the bass line here again and got a funny gnome from the garden to come in and play flute. Another example of getting a bit more energy and speed into the performance than the original to bring out the groove of the song. What better sums up the Beatles contribution to our collective unconscious that their promotion of the concept of loving each other. I ramped up the country feel in this version just because I always heard it bubbling just under the surface and it was fun to bring it out a bit. This one did not make it onto the first record and I am glad it didn't because I added a bunch of bells and whistles to this new version. How do you do what you do? It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! It was fun to create the super angelic "see how they run" parts and use my super broke down old Kawai baby keyboard for the bass line. I sure do love a half busted cheapo keyboard. Strange that I have not written a Caspar Babypants song about a pig but I do sing about then as I bop around all day. SO this seemed like a great one to include. I loved replicating the end part with he crisp cellos too. This one was also recorded for the first album but got bumped so it is great to have the chance to get it out here. The lovely and talented Rachel Flotard helps out on vocals and does a great job with the harmonies. I like this one for kids because it is repetitive and deals with opposites. A little bit of an opportunity to think about that stuff. Also the fat luscious chords are so fun to play and listen to. I have played this song live a bunch with my grown up band and originally thought I would do it pretty straight and strummy on a guitar but once I fired up that silly keyboard things just flowed and it all came together. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it! They sped them up to make him sound younger since he wrote this song when he was a teenager. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals! I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones and you! I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. I decided not to add it in the end HA! Plus if you let the album repeat then it fades into the beginning bit of SGT. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. This some was the bit that I made up about the owl. I hope it does not encourage your kids to stay up all night! I think it is more about that desire than a suggestion to do so. It was an elderly man on stage singing a song all by himself with no musicians. His voice had a lonely quality that was sweet and haunting at the same time. I tried to make this song occupy the same space but I got excited to put instruments on it so I made it about playing music so I could justify the added parts and music. This one is dedicated to my late great Daddy. Musically I worked very hard on this one to make it move from part to part and not get monotonous. Lots of weaving guitar bits coming together here. I think I do believe in soulmates. I think I believe in many soulmates in your life. Like a soulmate connection, to me, becomes very clear. What about you? What do you think? I like the idea that we have many. That some of them are just meant to be friends, some of them are meant to be more, and they usually come into and out of your life when you need them. That type of thing, I guess. If that makes any sense. I mean, in a lot of ways, I think sometimes you do fall out of touch after a certain lesson has been passed on. Originally, we were just doing a quick Instagram visualizer. Like the idea was to make a 30 second video of the song. The record had already been produced and mastered and was in production. That song had kind of been in my mind for a while and I just sort of became obsessed with it. I think sometimes songs take a while to fully bubble up to what they are. Can we do this as just like a one-off? I love it as a fast song. I always have. Is that you? It was from VHS footage from probably about Yeah, I was in London. The video, for me, is so personal. I was in London when he was elected. I was in London protesting. As the rest of the world was protesting. The thing I keep thinking right now is that it ought to be illegal, or unconstitutional, for anyone to shut down the government, even the President. Have you done any recently? But nothing lately. These days a lot of artists have rappers guest on their tracks, like in the middle eight, is that something you could ever see yourself doing or do you think that would clash with your sound too much? If you could have any rapper out there guest on your next album, who would you want to work with? What a question. I really like Chance The Rapper. Or Cardi B. I think that would be fun. Oh, yeah, she would be fun. In other words, could you do a huge festival with a hundred thousand people like Glastonbury? Yes, of course. I actually love meditating in a group just because it holds me accountable. But I like to just mediate alone and do my own thing as opposed to a visualization. But I do believe in it. What do you think of past life regression therapy where they put you in a hypnotic state and try to have you recall your past lives? Have you tried it? Well, do you call God the name God or do you say Goddess — what is the word that you use in your mind? A great spirit. The Finkelstein Management Company ltd. Recorded by Hohn Whynot. Assisted by Chuck Linder. Background vocals: Patty Griffin. Recorded and mixed by: Assisted by: King Williams and Jeff Elliot. Recorded at Reaction Studios, Toronto August, Tried And Tested 5: Electric Guitars and Vocals Gary Craig: Drums John Dymond: Bass Hugh Marsh: Violins and Loop Ben Riley: Additional Drums Sam Phillips: Also On Rumours Of Glory box set — disc 7 — 2. Open 3: Drums and Percussion John Dymond: Violin Colin Linden: Electric Mandolins Sarah Harmer: Harmonies 3. All Our Dark Tomorrows 6: Violins and Loops Ben Riley: Additional Drums Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — 4. Trickle Down 6: Workfare foul air homeless beggars everywhere Picturephone aristocrats lounge around the pool Captains of industry smiling beneficently Leaking hole supertanker ship of fools. Trickle down give me the business Trickle down supposed to give us the goods Cups held out to catch a bit of the bounty Trickle down everywhere trickle down blood. Take over takedown big bucks shakedown Schoolyard pusher offer anything-for-profit First got to privatize then you get to piratize Hooked on avarice- how do we get off it? Electric Guitar and Vocals Rich Brown: Bass Gary Craig: Percussion kit Hugh Marsh: Violins Ben Riley: Drums Andy Milne: Also On Rumours Of Glory box set — disc 7 — 5. Everywhere Dance 4: Acoustic Guitar and Vocals Gregoire Maret: Harmonica Andy Milne: Piano 6. Put It In Your Heart 5: Postcards From Cambodia 6: Electric fly buzz, green moist breeze Bone-colored Brahma bull grazes wet-eyed, hobbled in hollow of mass grave In the neighboring field a small herd of young boys plays soccer, their laughter swallowed in expanding silence. The sun will soon slide down into the far end of the ancient reservoir. Orange ball merging with its water-borne twin below air-brushed edges of cloud. But first, it spreads itself,. Silhouetted dark green trees, blue horizon. The rains are late this year. The sky has no more tears to shed. But from the air Cambodia remains a disc of wet green, bordered by bright haze. Water-filled bomb craters, sun streaked gleam stitched in strings across patchwork land and march west toward the far hills of Thailand. And under the sign of the seven headed cobra the naga who sees in all directions seven million landmines lie in terraced grass, in paddy, in bush Call it a minescape now. Tears spot the dust on the worn stone causeway whose sculpted guardians row on row Half frown, half smile, mysterious, mute. And this is too big for anger. So I bow down my head, say a prayer for us all. Acoustic Guitar and Vocals Colin Linden: Additional Basses Steve Lucas: Violins and Keyboard Percussion Ben Riley: Drums Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — 8. Wait No More 4: What does it take for the heart to explode into stars? Dobro and Vocals Gary Craig: Percussion Kit Larry Taylor: Upright Bass Hugh Marsh: Violin Stephen Hodges: Drums, Percussion Jonell Mosser: Also On Slice O Life- 9. Celestial Horses 5: Still river full of the depths of the candles Burning for the free ones riding on the other shore Even at the heart of these breathing shadows You can feel us gathering at the door. Electric Guitar and Vocals Gary Craig: Drums, Percussion Jackson Browne: On the other side of the world an unhappy teenage girl sets fire to herself, her house, her neighbourhood and some that dwell therein Sorry simulacrum of sad dawn. Sleep of the just, sleep of reason, any damn kind of sleep please! I forget Through the thin hotel wall a man groans in his dreams. And a car crashes and burns on an offramp from the Gardiner Two dogs in the back seat die, and in the front a man and his mother Forensics reveals the lady has pitchfork wounds in her chest — Pitchfork! And that the same or a similar instrument has been screwed to the dash to make sure the driver goes too. I see: Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around. Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around Never feel the light falling all around. Violin Andy Milne: Piano Dr. Loop Stephen Hodges: Percussion John Whynot: Whistling Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — Though you find yourself alone and stranded with no friend to take your side On the endless road afoot and empty-handed where the wild-eyed Cossacks ride. Spring birds peck among the pressed-down grasses Clouds like zeppelins cross the sky Anger drips and pools and then it passes And I say a prayer that I. Acoustic Guitar and Vocals Steve Lucas: Violin Ben Riley: Drums Sarah Harmer: Harmonies Messenger Wind 3: To be one more voice in the human choir rising like smoke from the mystical fire of the heart. It carries the moon and the stars and the rain Carries the seagulls and carries my shame away. Sun coming up paints the snow all around Rose on the roofs and the trees and the ground And the stream In my dream Messenger wind swooping out of the sky Lights each tiny speck in my human kaleidoscope With hope. Acoustic Guitar and Vocals Gary Craig: Violins Stephen Hodges: With a career that spans over three decades, countless tours and 27 albums, Cockburn has never stopped reflecting on political and social causes. Carrie Nuttall. The Finkelstein Management Company, Ltd. Thanks to M. Richardson for a beautiful place for Andy and me to work in, and for the following possibly apocryphal quote from Nostradamus:. Jackson Browne appears courtesy of: Elektra Entertainment Sarah Harmer appears courtesy of: Round Records Emmylou Harris appears courtesy of: Nonesuch Records Colin Linden appears courtesy of: Sony Music Canada Sam Phillips appears courtesy of: Nonesuch Records. Alternate cover for the US: If A Tree Falls 5: Rain forest Mist and mystery Teeming green Green brain facing labotomy Climate control centre for the world Ancient cord of coexistence Hacked by parasitic greedhead scam — From Sarawak to Amazonas Costa Rica to mangy B. What kind of currency grows in these new deserts, These brand new flood plains? Busy monster eats dark holes in the spirit world Where wild things have to go To disappear Forever If a tree falls in the forest does anybody hear? April 7, — Toronto, Canada Also On: So, I was wondering, did you approach this album more like you were writing an album for a band as opposed to a solo artist? No, I think, when we wrote the arrangements it was definitely with a band in mind, but I was just writing for myself. Just all over. Some were friends. Some were people that I had written with on my previous record that I met when I was doing a songwriting retreat in Stockholm. Some my manager at the time had suggested that I write with and those were all really good recommendations. The lyrics, generally speaking, are pretty much mine. Here or there, somebody might suggest a word or a line, but I tend to write almost all of my lyrics. And then I write a lot of the melodies, too. Was writing songs with a few people more intimidating than writing songs with just one person? These songs were all written just me and one other person. I think this one is definitely a reflection of the time that it was written in. I was observing the last few years sort of politically, the way that it seems like a lot of the people in power are there by force or greed or oppression and dominance. I sort of put the power of time and calmness to work in sound. I think a lot about the ocean when I think about soft power. So, it represented that which I have hope in, in terms of power. I think the record itself is a lot about power dynamics. Were any of them influences? What an honor. I thought a lot about Carole King on this record. I love Tapestry. I tend to use her as an inspiration and definitely Stevie Nicks. I love Stevie Nicks. But Carole King is probably the most directly. Her voice and the piano. Some Portishead. In ways, some Nina Simone. Those have been consistent influences for me that are maybe just more apparent on this record. Oh, OK, you nailed it for me! There was one person who I really got introduced to when I was making this record and, obviously, that was Kate Bush. Yeah, she was a big influence on this record. Ah, cool. Yeah, I love Tori. I grew up and Tori Amos just was on the radio and stuff. Not really. There was basically like a creative discussion about which one of those should go first and we ended up just putting them back to back. When I listen to the album, the two songs almost kind of blend into one, like a two-part progressive song. Just out of curiosity, were they written back to back by any chance? And so I sort of fleshed it out, but later on. Were either, or both of those sounds, influences on that? Yeah, I think so. I really have a lot of respect for the Motown sound and everything. Yeah, there is. The final acceptance of that..

I figured out the secret of it Fysah sings the lead here and I chime in from time to time. She sounds soul-tastic! I certainly raided my own parents record collection for inspiration when I was a kid and found some amazing bits that still influence me.

Plus this song is a call to get up and move to the beat so I like it near the beginning of the record to keep the dance party moving along. And mother's usually know what is what! This good time little celebration thing gets a boost from Rachel Flotard on backing vocals doing the Yoko parts. The inspiration for this song came from an improvisation in India that The Beatles did for Mike Love from the Beach Boys on his birthday. It kind of stuck and turned into this song from there. With this song I noticed that the call and response at the end was always my favorite part.

The song seemed to open up and get learn more here fun at that point.

So I took that dynamic and made it the whole focus of my version. To take it a Albums tag model larkin love luscious further and make it simple I took out almost all of the music to make Albums tag model larkin love luscious story and images really clear. Dust off your signing voice and join in!

Sex tis Watch Pov cum on tits hd amateur Video Mdporn com. Basically the song is bout choosing drink over taking care of your tattered clothes or yourself! I decided to change it to be about a band in London in the s that has unexpected success and then tries to stay on the charts but ends up back on the street busking for pennies. A cautionary rock and role fable. I always loved the image of a tiny horse but never took the time to turn it into a proper narrative song. Finally I did and boy oh boy was it hard to do! I must have rewritten this one 5 times to get the balance of abstract and narrative to work. You know I am glad my mind is weird or this song would not exist. Then I suddenly remembered the old story about the runaway pancake and how I had not tackled that story yet in song form. So I stretched her name out to Annabelle and tried to write it. The trouble was the rhyming part. I could not paint the picture with the lyrics and make it rhyme at the same time. SO I decided to just talk about the scenes and forget about the rhyming part. It was fun to forget about that challenge and just let go. Babies are enlightened humans and this song is my homage to them and their happy sparkle quality! Thanks Justin! That proved to be way too abstract as it turns out so I changed it to be about one person named Susan and all the different moods and feeling that one person can have. I chose the name Susan just because it sounded good after the word moody in the title. It is ok to feel all kinds of thing and you don't always have to feel happy. I was inspired by the amazing Big Block Sing Song series to make this song. Check them out I decided to just make it about the snake and just the snake. I love how it bounces along and has that groovy weird breakdown. I like to do a tiny snake like dance to this one and I encourage you to do the same. While I had a good supply of rhymes in the "ish" department it was too morbid for my taste. So I changed it to be about a jellyfish that wishes to do all sorts of things on dry land but can't because he has no bones. This is one of two little miniature rock operas on this album. Can you name the other one? Of course my mind immediately wandered to snails and then to my recent effort to slow down and do a bit less in life so that I have time to just BE and observe the world unfold. So after a bunch of false starts and lyric revisions this little tale of a slow snail and a speedy spider being unlikely friends was born. Don't be afraid to take time to do nothing everyone. And it's ok to be busy too! Which one are you mostly? This is a case of me writing a song that sounds like an old song from long ago that I am updating but it is an original new tune. I love the idea that a chicken will want to peck at my cornbread so badly that it will learn how to fly and time travel in order to get a bit for itself. That chicken is very persistent. I added the "why did you eat my cornbread chicken chicken" part way after recording the song. We were in Hawaii way back in and a bird came into our hotel room and Kate and I named him Goober and I wrote a song about him. The problem was that I ripped off The Who's song Tommy without realizing it. Good old "Weird" Al Yankovic alerted me to the blunder when I sent him some rough mixes to check out and so I rewrote the whole song with a new melody and a story about wanting to keep the bird but the bird saying "NO! All of that took 6 years so you better enjoy it! This is the other little rock opera on the album. I snuck a little bit of an homage to Bohemian Rhapsody by Queen in there in the middle too. It was about how food changes after you eat it into POOP! But in the end HA! Get it? Plus I think it is fun to imaging talking to clouds. They go through a lot of changes. They know stuff. They are patient and adaptable which are good attributes. I loved rhyming "bottom" with "autumn". That was my nod to the original lyrics. One time when we were there and poking around on the beach this song just came drifting into my brain. I rushed back to the tent and wrote it on a wee ukulele and a scrap of paper. It sounds like a fun challenge to try to dig fast enough to keep up with those little clams. I played it that night at an open mic at the restaurant there but it took 4 years to finish writing it and get it recorded. I am slower than those fast little clams. It was beautifully done and they sound great. At one point they meet an old man living in a shack in the forest and they hang out with him for a bit. He seemed pretty prickly and like he wanted to be alone way out there but he let them spend time with him anyway. Somehow the music they were playing and the idea of being isolated gave rise to this idea of being unhuggable and things that are prickly in nature. Justin from The Okee Dokee Brothers played banjo on this track and Joe sang harmonies on the choruses. Thanks for the inspiration guys! She chirped "you should write a song about a turtle train! The song came out of slowing down for a leisurely breakfast in town and turned out the song is about slowing down in life. I think I am more of a sleepy snail than a speedy spider. Jen improvised over it with new lyrics about being sleepy and a new melody and the song was born! It was rough and short though and needed to be recorded for real. That task only took 15 years to complete and now it can finally see the light of day. Peppers bookend thing on the first record but there were just too many songs to do it. So now's my chance! This song was the first Beatles song I ever heard since I got Sgt. Peppers when it came out in when I was only 2 years old so it is completely intermingled with my sense of being a child and the surreal possibilities of the Beatles music. Amazingly the beginning sound of the orchestra tuning up was from a totally unrelated recording I made on an accordion and I had not included it until I realized it sounded just like the chord on the record or at least my memory of it and it fit perfectly. A nice serendipity moment which is great because the making of the real Sgt. Peppers record was full of coincidences when the Beatles recorded it. They were really insistent that I record it for this album so in that context I decided to record it. Boy am I glad I did. It is pretty fun to have it in the number two spot just like on the original album. Originally Ringo recorded his vocals at 5: Poor little Ringo! So I just sped it up and energized it with a sort of gospel explosion. Of all the songs on the album this one was the easiest for me to sing for some reason. It just flowed out so naturally and I did the lead vocal in one take. I was literally bouncing off the walls in my studio as I did the shouting singing celebration at the end! Paul wrote this for John's son Julian so it is at it's heart a kid's song already. I just could not stop thinking about this song and before I knew it I was in the studio making a new version. It came out so well that I figured I might as well go ahead and make the whole second album! I am happy to present this song also because it is the companion song to Paul's Penny Lane about childhood. Strawberry Fields was a park that John played in when he was little and the song is his tribute to a happy time when he was small and life was simple. The slinky feeling of the music made me super happy. One day my Dad took me out to lunch at a pizza place called Shakey's and they had a jukebox with For You Blue on it. This was probably so it was only a few years after the song came out. When I asked my Dad for a dime to play the song he said I couldn't have one because I had the record at home and could hear it for free. I think in the end that experience made the song even sweeter since every time I hear it I remember NOT being able to play it. Thanks DAD! RAIN I have always LOVED this song and the drone like sound of it and the sentiment which is that a rainy day is not a bad day at all and that we create these limitations for ourselves that require everything to be perfect in order to be happy. I just wanted to lighten it up and make the content of the vocals come to the front. At its core this is a super simple song with a super simple message. Be happy because you are alive not because of your surroundings. In the beginning the Beatles played without a drummer for a bunch of their first gigs and because there were four guitars they sold the lack of a drummer with eh phrase "The rhythm's in the guitars! I decided to see how that theory would sound and just made this thing with only guitars save for the little Billy Preston style piano here and there and HORNS! Interesting side note is that Billy Preston who played piano on this song on Let It Be also played with and socialized with the Beatles in when he was Little Richard's organist and played shows with the lads from Liverpool around the time when they wrote this song. It tells a vivid story too which is always a winning quality of a good song for me. I can really SEE the story and atmosphere come to life in my head as I listen to it. So I indulged myself and put it on the album. I had to redo it a few times to get my voice near those high notes and ring out like Paul's does on the original song. But it was worth it. I got the broken baby keyboard to do the bass line here again and got a funny gnome from the garden to come in and play flute. Another example of getting a bit more energy and speed into the performance than the original to bring out the groove of the song. What better sums up the Beatles contribution to our collective unconscious that their promotion of the concept of loving each other. I ramped up the country feel in this version just because I always heard it bubbling just under the surface and it was fun to bring it out a bit. This one did not make it onto the first record and I am glad it didn't because I added a bunch of bells and whistles to this new version. How do you do what you do? It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! Two world's collide: No wonder she's smiling: It is likely she could scarcely believe her luck to be sharing a stage with the incomparable DJ. Waka day: She gave her fans a thrill when she performed a selection of her songs. Oral fixation: The singer seemed to have spotted the post-performance sandwiches as she sang to fans. What ever happened to living in the moment: Many of the fans seemed to miss her big climax as they were recording on their phones. Lips don't lie! Shakira blows a kiss as she hams it up on the red carpet at album launch By Mike Larkin Published: Share or comment on this article: Shakira blows a kiss as she hams it up on the red carpet at album launch e-mail. Most watched News videos Heart-warming moment monkey comforts grieving woman at funeral wake Police release CCTV from Creggan on night Lyra McKee died Man sentenced to life in prison for rape of young woman in Leeds Moment carjackers drag tourist from car by her hair in Johannesburg Cops pepper spray black teen before slamming his head into pavement Activist moved away by police at Oxford Circus protest Terrifying moment giant python is found crawling on Detroit garage MMA fighter Conor McGregor arrested at Miami Beach home Body of missing teen is found buried on Ohio farm Hilarious moment CNN reporter fights off a lizard on live TV Little boy calls asking for McDonald's while grandma was asleep Shocking moment brawl breaks out in front of store full of shoppers. More top stories. Bing Site Web Enter search term: Jordyn Woods sends a message to her former best friend Jenner after Tristan Thompson cheating scandal Sister act! Dancer beams as he meets fans If you could have any rapper out there guest on your next album, who would you want to work with? What a question. I really like Chance The Rapper. Or Cardi B. I think that would be fun. Oh, yeah, she would be fun. In other words, could you do a huge festival with a hundred thousand people like Glastonbury? Yes, of course. I actually love meditating in a group just because it holds me accountable. But I like to just mediate alone and do my own thing as opposed to a visualization. But I do believe in it. What do you think of past life regression therapy where they put you in a hypnotic state and try to have you recall your past lives? Have you tried it? Well, do you call God the name God or do you say Goddess — what is the word that you use in your mind? A great spirit. Because the thing I like about — at least the way I was taught about religion — is that I thought God was this entity in the sky and we were all just on earth. Something like that helps me conceptualize it. And be like, you know, the spirit is talking. I feel like I can connect more with spirituality everywhere in animals and plants and the way nature is responding to things and the different signs that that gives. Powerful witches, but witches nonetheless. Joan of Arc was a witch. And, obviously, she was one of the greatest Saints. I also grew up Jewish and I think there are really a lot of things that I like about Judaism that I carry with me into how I make sense of the world. The organized aspect of it. I think astrology is a really fun guide. I know a fair amount, but I find it useful because it helps me have some sort of expectations or leniency if I know someone — every sign has its things that are…. Strengths and weaknesses. Just in giving some sort of acceptance about the way things are. I actually just bought a book on this by Damien Echols. But I believe that what you believe is what happens. If you believe something might work, it will probably work. The power of the mind is so incredible in that way. We really do become what we believe. Do you believe in spells? Or is that something you practice? I really think it works. The more I sort of go into all of this stuff, the more I see that what we believe on a root level or even a conscious level is the way our lives tend to drive. The power of the mind is so incredible in that way. We really do become what we believe. Do you believe in spells? Or is that something you practice? I really think it works. The more I sort of go into all of this stuff, the more I see that what we believe on a root level or even a conscious level is the way our lives tend to drive. When you have situations that repeat over and over again. I do believe color therapy works. I know there is. I started wearing a black tourmaline when I was working a job that dealt a lot with people. It was a people job. I had to work with people a lot. And I noticed when I was wearing black tourmaline people were not as easy to get me [upset]. I felt like I had a strong sense of armor up. What do you think about colors? I do believe in colors insofar as a lot of the spells I do are simple candle magick and certain colors are used for certain types of spells and in certain combinations and stuff. But definitely with crystals, too. I had a bad experience with someone in the past — it will give me a panic attack if I start saying everything they did — but there were threats and blackmail and it was just insane and I often felt like she was putting hexes on me. Because she had threatened to do that. And my father gave me this ring. Yeah, I think crystals can be protective. The only thing I question is how some witches or new age type people will say you need this crystal for this and another crystal for that and so they would give you a bag with like eight different crystals in it for you to wear or carry on you. If I have all this abundance of crystals and all this abundance of religions. I tend to choose teachers who follow really specific lineages. Like somebody like my yoga master teacher in Indian and a Shaman I worked with in Peru. And I see that happening with people in the spiritual community, just mixing many traditions and kind of creating their own philosophy. But, for me, I think something might be lost in that. For me, I guess I do kind of pick and choose things. I identify as a witch but pray to Catholic Saints. Yeah, and I guess I do, too, even in how I approach religion. Maybe at some point you can do a vipassana retreat. A really great center in in Shelburne, Massachusetts. Yeah, we talked about those a bit last time. You had just done ten days at Joshua Tree. Have you done another one since? I like to go up there once a year. So, maybe, sometime this year. A Dream Like Mine 3: Beautiful rocks — beautiful grass Beautiful soil where they both combine Beautiful river — covering sky Never thought of possession, but all this was mine. Jones — Organ Jim Keltner — Drums 4. Soul Of A Man 3: When Christ taught in the temple The people all stood amazed Was teaching the lawyers and the doctors How to raise a man from the grave. Seen a lot of things in the world outside Some bad but some good stuff too Felt the touch of love in the works of God And now and then in what people do Never had a lot of faith in human beings But sometimes we manage to shine Like a light on a hill beaming out to space From somewhere hard to find. Rumours Of Glory box set disc 5 — Rumours OF Glory box set disc 5 — Cry Of A Tiny Babe 7: Like a stone on the surface of a still river Driving the ripples on forever Redemption rips through the surface of time In the cry of a tiny babe. Indian Wars 6: Speechless — Child Of The Wind 4: Little round planet In a big universe Sometimes it looks blessed Sometimes it looks cursed Depends on what you look at obviously But even more it depends on the way that you see. This sort of sympathetic production brings out the best in Cockburn and his material, which is consistently strong. All songs copyright Golden Mountain Music Corp. Engineered and Mixed by: Adeste Fidelis cover Instrumental. Album notes: Three wise men saw the star at night Star that lit the heavens so bright Star that led them to where Christ was born Early on one Christmas morn. In that city of Bethlehem Wise men brought Him jewels and gems Born in a manger humble and low That is why we love Him so. Mary was his mother calm cradling him gently in her arms all hail and praise to Him peace on earth, goodwill to men. Early on one Christmas morn Jesus Christ the son was born singing carols, christmas songs Early on one Christmas morn. Early on one Christmas morn Jesus Christ the son was born singing carols, Christmas songs Jesus Christ the son was born. It was most likely recorded in O Little Town Of Bethlehem cover O little town of Bethlehem How still we see thee lie Above thy deep and dreamless sleep The silent stars go by Yet in thy dark streets shineth The everlasting light The hopes and fears of all the years Are met in thee tonight. For Christ is born of Mary And gathered all above While mortals sleep the angels keep Their watch of wondering love O morning stars together Proclaim the holy birth And praises sing to God the king And peace to men on earth. How silently, how silently The wondrous gift is given So God imparts to human hearts The blessings of his heaven No ear may hear his coming But in this world of sin Where meek souls will receive him still The dear Christ enters in. This was written in the last century by Lewis Redner and Phillips Brooks. Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera. Yo ui mil garcones Que andauan contando Por aqui bolando Haziendo mil sones Diziendo a gascones, Gloria sea en el cielo Y paz en el suelo Pues Jesus nasciera. Este uiene a dar A los muertos uida Y uiene a reparar De todas la cayla Es la luz del dia Aqueste mocuelo. Este es el cordero Que San Juan dixera. Yo ui mil garcones Que andauan contando Por aqui bolando Haziendo mil sones Diziendo a gascones Gloria sea en el cielo Y paz en el suelo Pues Jesus nasciera. The rabid wolf tried to bite her But God Almighty knew how to defend her He wished to create her impervious to sin Nor was this maid to embody original sin. He comes to give life to the dead He comes to redeem the fall of man This child is the light of day He is the very lamb Saint John prophecied. He comes to give life to the dead He comes to redeem the fall of man This child is the light of day He is the very lamb Saint John prophesied. The language is archaic, some words being unfamiliar to my Hispanic friends and not found in at least the basic dictionaries. And who do you think was in them then? He did whistle and she did sing On Christmas day, on Christmas day He did whistle and she did sing On Christmas day in the morning. And all the bells on earth did ring On Christmas day, on Christmas day And all the bells on earth did ring On Christmas day in the morning. And all the angels in heaven did sing On Christmas day, on Christmas day And all the angels in heaven did sing On Christmas day in the morning. I saw three ships come sailing in On Christmas day, on Christmas day I saw three ships come sailing in On Christmas day in the morning. Are the three ships Father, Son and Holy Spirit? Are they camels, ships of the desert? Was the artist consuming too much ergot in his daily bread? Beside that bed a shrub-tree grows Sing May Queen May sing Mary Since he was born it blooms and blows Sing all good men for the new born baby. Oh, on that bed a young squire sleeps Sing May Queen May sing Mary His wounds are sick and sick, he weeps Sing all good men for the new born baby. Gloria in excelsis Deo! Angels in our midst Have intoned the anthem of the heavens And this melodious song Echoes from our mountains. Shepherds, for whom are these songs, What is this celebration for? Which conqueror, what conquest Deserves these triumphant cries? The rhythmic groove is written right into it. These things will happen. Go tell it on the mountain Over the hills and everywhere Go tell it on the mountain That Jesus Christ is born. Fortunately, I more recently came across the version recorded by the gospel group The Swan Silvertones. As the power and beauty of the song poured through the speakers of my truck radio, I knew I had to make it part of the album. And all the silences of the night Leap in song Like that of a river cascading from the wild mountain to the slow human plain. Silent Night cover Silent night Holy night All is calm All is bright Round yon virgin mother and child Holy infant, so tender and mild Sleep in heavenly peace Sleep in heavenly peace. Silent night Holy night Shepherds quake at the sight Glories spring from heaven above Heavenly hosts sing Hallelua Christ the saviour is born Christ the saviour is born. I loved it as a child and still do. Have courage, you who are human beings: Mary has given birth. Three men of great authority have left for the place of his birth Tiscient, the star appearing over the horizon leads them there That star will walk first on the bath to guide them Jesus, he is born. As they entered and saw Jesus they praised his name They oiled his scalp many times, anointing his head with the oil of the sunflower Jesus, he is born. It was written early in the s by the Jesuit Fr. Jean de Brebeuf, who acquired fame and martyrdom soon after when he was ceremonially barbecued by members of the Iroquois confederacy, who went on to virtually obliterate the Hurons and their culture. They were encouraged in this by British colonial interests who were after control of French claimed territory, much of which was traditionally Huron. Those of this latter tribe who survived the wars were mostly absorbed into Iroquois communities. A few, however, stayed with the French colonies. Their descendants inhabit a couple of villages in modern Quebec, but their language has largely been lost. Special thanks are due to John Steckley for his help as translator and pronunciation coach. O tidings of comfort and joy, Comfort and joy O tidings of comfort and joy! In Bethlehem, in Jewry This blessed babe was born And layed within a manger Upon this blessed morn For which his mother Mary did nothing take in scorn. Now to the Lord sing praises All you within this place And with true love and brotherhood Each other now embrace This holy tide of Christmas All others doth deface. Yet with the woes of sin and strife The world has suffered long Beneath the angel-strain have rolled two thousand years of wrong And man at war with man hears not The love song which they bring O hush the noise ye men of strife And hear the angels sing. It happened that I was on tour at the time, and it happened that Sam Phillips was the opening act on most of that tour, so it was natural she should be a guest on the radio show. The next best thing was to sing it that way — so here it is. What did she name him? My Lord What did she name him? Oh My Lord What did she name him? My Lord The people keep coming but the train has gone. Who heard the singing? My Lord Who heard the singing? Oh My Lord Who heard the singing? Joy To The World cover lyrics coming. Tracks recorded by: Eric Ratz Mixed by: Mike Piersante Mastered by: Vivienne Williams appears courtesy of Benchmark Recordings. Rumours OF Glory box set disc 5 — 3. Bone In My Ear 3: Moon in the water Cold light in the streets Warmth in your fingers Sweat in your sheets Laid out like an offering Where two currents meet The river is dark But the water is sweet. Rumours OF Glory box set disc 5 — 4. Wurlitzer piano T-Bone Burnett: Harmony 5. Down To The Delta 6: Acoustic Guitar George Koller: Percussion Ben Riley: Drums 6. The Embers Of Eden 5: And the embers of Eden burn You can even see it from space And the great and winding wall between us Seem to copy the lines of your face. Acoustic Guitar, Vocals Steve Lucas:: Drums Jonell Mosser: Blueberry Hill 4: Keyboard Margo Timmins: Duet Vocal 8. Let The Bad Air Out 5: Too much monkey business, like Mr. Drums Carlos Del Junco: Trombone Daniel Janke: Kora 9. Look How Far 5: So many miles, so many doors Some need patience, some need force All fall open in their own due course To allow us this time. And look how far the light came Look how far the light came Look how far the light came To paint you This way. And I picture us in this light Friendship a fine silver web Stretched across golden smoky haze And this is simple And this is grace. And this light Is a guest from far away Passing through The last whisper of day. Trombone Janice Powers: Keyboard Lucinda Williams: Harmony Deep Lake 6: Use Me While You Can 7: High above the plains little grey houses blend with giant jagged boulders and pale weathered stumps. Turbaned rider, blue robe billowing, bounces with the shambling trot; wears a sword and a rifle on his back, and hanging from his neck, a transistor radio…. Under the wan disc of sand-masked sun A woman grins — spits expertly Into the path of a struggling black beetle Six feet away Hoists her water bucket onto her head And strides off up the trail…. Sun a steel ball glowing Behind endless blowing sand Sun a steel ball glowing Dust of fallen empires slowly flowing through my hands Use me while you can. Pearl held in black fingers Is the moon behind dry trees Pearl held in black fingers Bird inside the rib cage is beating to be free Use me while you can. Bullet in a sandstorm Looking for a place to land Bullet in a sandstorm Full heart beats an empty one In the deck they dealt to man Use me while you can. Bass Daniel Janke: Kora Lucinda Williams: Rumours OF Glory box set disc 6 — Production notes: Mixed at Sound City, Los Angeles. Song credits: Daniel Janke played kora click for picture: Rumours OF Glory box set disc 7 — 2. Wondering Where The Lions Are 3: Tokyo 3: The Trouble With Normal 3: Lovers In A Dangerous Time 4: Waiting For A Miracle remix 4: If a Tree Falls 5: A Dream Like Mine 4: Listen for the Laugh 4: Night Train 6: Last Night of the World 4: Bruce Cockburn bass: Steve Lucas drums: Ben Riley violin: Hugh Marsh electric mandolin: Colin Linden background vocals: Mark Prentice. Bruce Cockburn and Colin Linden Remix engineer: John Whynot Assitant engineer: Photography by Kevin Kelly. The Finkelstein Management Company ltd. Recorded by Hohn Whynot. Assisted by Chuck Linder. Background vocals: Patty Griffin. Recorded and mixed by: Assisted by: King Williams and Jeff Elliot. Recorded at Reaction Studios, Toronto August, Tried And Tested 5: Electric Guitars and Vocals Gary Craig: Drums John Dymond: Bass Hugh Marsh: Violins and Loop Ben Riley: Additional Drums Sam Phillips: Also On Rumours Of Glory box set — disc 7 — 2. Open 3: Drums and Percussion John Dymond: Violin Colin Linden: Electric Mandolins Sarah Harmer: Harmonies 3. All Our Dark Tomorrows 6: Violins and Loops Ben Riley: Additional Drums Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — 4. Trickle Down 6: Workfare foul air homeless beggars everywhere Picturephone aristocrats lounge around the pool Captains of industry smiling beneficently Leaking hole supertanker ship of fools. Trickle down give me the business Trickle down supposed to give us the goods Cups held out to catch a bit of the bounty Trickle down everywhere trickle down blood. Take over takedown big bucks shakedown Schoolyard pusher offer anything-for-profit First got to privatize then you get to piratize Hooked on avarice- how do we get off it? Electric Guitar and Vocals Rich Brown: Bass Gary Craig: Percussion kit Hugh Marsh: Violins Ben Riley: Drums Andy Milne: Also On Rumours Of Glory box set — disc 7 — 5..

Rachel Flotard and Jen Wood are doing the responses. I love the family as a rag tag band of fun lovers feel to the lyrics and thought I would push the envelope on tempo and see how fast I could get this thing to move. I also cut it down by half almost to make it a quick burst of energy.

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Jen Wood plays the part of Molly and does a great job with the bubbly bouncy sing along attitude. What I love about this song is how the Albums tag model larkin love luscious influence is still apparent in the feel and rhythm of the original. I thought I would bring that out by turning it into a bit of a hillbilly vibe. I think it works really well as an old mountain song don't you? I can just see the Beatles sitting around on the back porch of a busted old shack in the swamps.

I drive around in my old neighborhood every so Albums tag model larkin love luscious and soak in the atmosphere of my super happy childhood and can hear this song echoing around in the air. This song captures that feeling so well that it seemed like a natural fit for the album. It was extremely fun and even though it was a this web page hard to replicate that French horn solo on the clavinet I finally nailed it!

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Someone suggested I take a look at this song when I was choosing which to try and I did and it just worked so well. Thanks for the idea! I am not sure if Paul recorded this in a drop D tuning but it sure worked for me. A pretty faithful version but with Albums tag model larkin love luscious bit more energy. It is also hard to NOT do this one with the words "mother" and "son" in the title!

This was the first song I recorded for the album over three years ago. I wanted to contrast the verse and chorus by making the verse really sparse so the message of the song could come straight through. Albums tag model larkin love luscious chopped the song down to it's essential parts and kept it short and sweet and simple. It turns out that love IS all you need!

Those mop tops were smart like that. The original is rocking and loud and obviously about the object of the singers affection and desire. I just made it musically innocent by sprinkling some Buddy Holly vibrations on it and the meaning changed to be literally about a child. This was a fun chemistry experiment!

AND I got to play my little harmonica. I was glad to sneak another early career Beatles song in to the mix as well. This is one of the obvious choices that Albums tag model larkin love luscious resisted at first again because it has been done many times, but found that once I broke it down to the basics and simplified the layers a bit it stared to feel more like a Caspar tune. Since I love songs that allow you to travel to places that normal life can't take you I had to include this ticket to Albums tag model larkin love luscious bottom of the sea!

The beginning part was really hard to figure out but I stuck with it all afternoon and finally got it! I started out with a crazy drum machine thing on a little cheap keyboard and built it up from there. In the end I got rid of the messy drum machine sounds and let the song breathe. The sentiment of unconditional love seems to make it a really good parent to child love song. Jen Wood helped out here with a sweet high harmony too.

John's original lyrics were from an advertisement he saw that said "cry baby cry, Albums tag model larkin love luscious your mother BUY" but he changed it a bit. I did a pretty straight forward version of this song just because it felt really good to play it that way. This one unfolds like a classic children's picture book and has that timeless nursery rhyme vibe to the images of kings and queens.

I had to record this song twice from scratch because I had such a hard time getting the images to really pop out of the music. I tried it in the original key at first but it was too shrill for my taste so I lowered the pitch and changed the sound of the main instrument click the following article be softer.

Finally the images began to come to life and I think the extra effort paid off. I used to sing this one along with the record over and over when I was a kid matching John Lennon's vocal inflections word for word.

It completely transported me to another place and that sensation became very important Albums tag model larkin love luscious my own songwriting later on.

I found out later that John Lennon told their producer George Martin that he wanted to "smell the sawdust" from the floor of the circus tent when the recording played back.

This was written about a circus poster that John found in an antique shop. Almost every word is from the poster! John loved to make lyrics out of found materials and I think Albums tag model larkin love luscious is very childlike. I thought it would be great to change the main instrument away from that iconic guitar part so I figured out a very simple way to play it on piano. The trick is that you have to have a 10 note reach to do it!

Luckily I can do that and have been able to since I was a kid. I never had a reason to use that skill until now Albums tag model larkin love luscious. I like the way playing it on piano makes it feel like a Bach piece and almost makes it a lullaby. The choice of vibraphone and a light drum beat worked perfectly and I thought it made a lot of sense since it is about being all groggy and sleepy.

I made it even MORE sleepy by adding space and removing the drums. A great pre-last-song-lullaby lullaby! Time for a nap now I must say that I get very sleepy every time I hear this recording so I think it will work well for your baby in Albums tag model larkin love luscious night time.

The last whispering bit was fun to do too. It took one take and I just nailed it. So, maybe, sometime this year. I would like to go. I can see myself going that way. You had mentioned that you get song ideas from them sometimes. Are you allowed to write things down there? Which is so frustrating. So, having that problem makes me compelled to write things down as soon as I get an idea. You had mentioned wanting to publish a book of poems as being something on your bucket list last time —.

So, I just write them down and I regularly go back and read them this web page edit them.

Miss raquelxxx Watch Jenna haze pov blowjob Video Manexxx Com. Yeah, I love Tori. I grew up and Tori Amos just was on the radio and stuff. Not really. There was basically like a creative discussion about which one of those should go first and we ended up just putting them back to back. When I listen to the album, the two songs almost kind of blend into one, like a two-part progressive song. Just out of curiosity, were they written back to back by any chance? And so I sort of fleshed it out, but later on. Were either, or both of those sounds, influences on that? Yeah, I think so. I really have a lot of respect for the Motown sound and everything. Yeah, there is. The final acceptance of that. So, what is it about? Their spirit is with me. And I would hope it would be the same. I think I do believe in soulmates. I think I believe in many soulmates in your life. Like a soulmate connection, to me, becomes very clear. What about you? What do you think? I like the idea that we have many. That some of them are just meant to be friends, some of them are meant to be more, and they usually come into and out of your life when you need them. That type of thing, I guess. If that makes any sense. I mean, in a lot of ways, I think sometimes you do fall out of touch after a certain lesson has been passed on. Originally, we were just doing a quick Instagram visualizer. Like the idea was to make a 30 second video of the song. The record had already been produced and mastered and was in production. That song had kind of been in my mind for a while and I just sort of became obsessed with it. I think sometimes songs take a while to fully bubble up to what they are. Can we do this as just like a one-off? I love it as a fast song. I always have. Is that you? It was from VHS footage from probably about Yeah, I was in London. The video, for me, is so personal. Do you believe in spells? Or is that something you practice? I really think it works. The more I sort of go into all of this stuff, the more I see that what we believe on a root level or even a conscious level is the way our lives tend to drive. When you have situations that repeat over and over again. I do believe color therapy works. I know there is. I started wearing a black tourmaline when I was working a job that dealt a lot with people. It was a people job. I had to work with people a lot. And I noticed when I was wearing black tourmaline people were not as easy to get me [upset]. I felt like I had a strong sense of armor up. What do you think about colors? I do believe in colors insofar as a lot of the spells I do are simple candle magick and certain colors are used for certain types of spells and in certain combinations and stuff. But definitely with crystals, too. I had a bad experience with someone in the past — it will give me a panic attack if I start saying everything they did — but there were threats and blackmail and it was just insane and I often felt like she was putting hexes on me. Because she had threatened to do that. And my father gave me this ring. Yeah, I think crystals can be protective. The only thing I question is how some witches or new age type people will say you need this crystal for this and another crystal for that and so they would give you a bag with like eight different crystals in it for you to wear or carry on you. If I have all this abundance of crystals and all this abundance of religions. I tend to choose teachers who follow really specific lineages. Like somebody like my yoga master teacher in Indian and a Shaman I worked with in Peru. And I see that happening with people in the spiritual community, just mixing many traditions and kind of creating their own philosophy. But, for me, I think something might be lost in that. For me, I guess I do kind of pick and choose things. I identify as a witch but pray to Catholic Saints. Yeah, and I guess I do, too, even in how I approach religion. Maybe at some point you can do a vipassana retreat. A really great center in in Shelburne, Massachusetts. Yeah, we talked about those a bit last time. You had just done ten days at Joshua Tree. Have you done another one since? I like to go up there once a year. So, maybe, sometime this year. I would like to go. I can see myself going that way. Missing him already: No doubt Shakira would have been pining for her soccer star beau Gerard Pique after their appearance promoting her new album in Barcelona last week. I was singing and he was listening,' she said. It was so cute. The star recently discussed how she juggles motherhood with a successful career, as well as singing she is also a judge on hit U. TV show The Voice. She said: I miss him when I'm away and the baby is so little. I sometimes feel guilty. Two world's collide: No wonder she's smiling: It is likely she could scarcely believe her luck to be sharing a stage with the incomparable DJ. Waka day: She gave her fans a thrill when she performed a selection of her songs. Oral fixation: The singer seemed to have spotted the post-performance sandwiches as she sang to fans. What ever happened to living in the moment: Many of the fans seemed to miss her big climax as they were recording on their phones. Finally I stripped the chorus and rewrote it to be clearer as far as the vibe I was trying to capture. Recording it still proved super hard but I finally struck the right balance and after 25 years and remixing this version 34 times I can finally let this song go! I had him on a little blanket in he living room and as I stared at that glorious little kid I sang "sunshine pig making his way through the universe! The song actually ended up in an ad for the BMW Mini back in the day. Eventually after picking it apart for years to make something else out of it I landed on the rich tradition of those beloved ten little pigs and the new Caspar version was born. I decided that I wanted to rewrite this classic to include more than just a dog. So I wrote new lyrics about loosing an entire menagerie of animals and all the speculating that goes along with lost pets. I use to wake up with her every morning and walk all over the place with her strapped to me and this was a song that I sang while we walked. I forgot about it and just stumbled onto it while listening to old fragments one day. It was super fun to record and I hope you have fun listening to it. Then I cracked it open and worked it out so that a young tick that moved to the city is calling his parents and telling them not to freak out because he is safe and sound and living ins a FREE COUCH! Puzzle solved and the song came out super duper. Put on your dancing shoes and turn it UP. I hope this song will help you in the morning with your routine, as you get ready to head out the door. I like to imagine this one being performed in a nightclub in 's New York by a dashing flamingo. Every time Kate and I would see a tug boat out on the water we would pretend it was named "Pushy" and it had a bit of an attitude of superiority. When it came time to make the song I figured I had to do more than just describe her so I made up a story about another tug named "Huggy" coming along and falling in love with her even though she can be pretty prickly. It's a tugboat love story. Many many years later after listening to the tape a few times this little jam stuck out as something to build on but it took many many more years before I stumbled on to the right way to sing about this idea of time healing all wounds. Some things are worth the wait. I don't know where it cane from but I love it. Just a bunch of thirsty animals that need to get their paws and claws on some thirst quenching coconut juice. None of them can get it together to get the coconuts out of that silly tree. I get thirsty just listening to this one. Of course, as is often the case with things Kate says, I immediately heard a song in her silly proclamation and rushed out to the studio to write and record it on the spot. I can't remember what the original lyrics were but I changed it many years ago another song I have had for a long time! I love dirt. My favorite part is the concert hall made of "rocks and roots". I can really see it. It had a really odd time signature and the "oo wee oo oo oo oo wee" part that I found myself humming to myself for years afterwards. Finally I changed his original lyrics about a chipmunk hitting the ground at terrible velocities to be about a crow that tries to steal a delicious piece of pie and a classic was born! I decided to expand it as I do! I used a tone for the music from The Specials song as a tribute tot he moment of inspiration. I changed the lyrics a bit and took the weapons out of Froggies hands in the first verse! I had fun messing with these lyrics for sure. What a fun party. I wish I had been invited to that wedding. Of course I included some fresh movements so you can shake things up with your kid. It's just a simple moment to have interacting with your baby. Well, nobody under 6 years old I guess. I wanted to write a sort of classic blues structured song and chose the bedtime these because a lot of kids feel pretty strong emotions around that age old never ending chore of winding down for sleep. I hope that maybe this song helps parents with the bedtime routine. I love to wonder what animals think and the hardest animals to figure out to me are invertebrates. What are those little doo-dads thinking about? In the end I just don't know and that's OK. Sometimes nature is a mystery! I love spooky grooves but I always wondered why the theme of ants marching was wrapped up in such a spooky tune. So I decided to make the lyrics spooky too so the music and the lyrics would go in the same direction. My good buddy Fysah Sands helped out with some great soul vocals to give it an extra spooky feeling. Put this on when you are getting ready to go out to trick or treat next Halloween! This is another song that has been looking for a home on an album for a long long time and it has finally found its place. I feel like this song could be in a musical about a guitar that was left on the moon. As I pulled out of the parking lot of the rental place I put on the turn signal and it made this little two note rhythm that immediately inspired a melody form me and as we moved all day I sang with the turn signal Eventually after toying with lyrical ideas I saw a stand up comic talking about how toddlers are always excited to run away from their parents but don't have any idea what would happen if they got away and the lyrical idea for the tune was born. I have forgotten most all of the songs I learned as a kid during my 10 years taking piano lessons but this one stuck with me. I added a second part that I wrote myself and a bunch of imagery of relaxing sheep. Usually you count sheep to go to sleep so counting sheep that are relaxing a bunch of different ways should be the MOST relaxing thing to help you sleep. The melody is Welsh and dates back to the sixteenth century and belongs to a winter carol, "Nos Galan", while the English lyrics date to As with a bunch of these old classics I have tweaked the lyrics to make them my own and give them an updates feel. The song was first published in in a collection of Watt's writings. As with all of the traditional songs on this album that refer directly to Christ and God I have decided to secularize the lyrics to reflect a more family oriented perspective on the holiday season. I loved making the new middle part for this one. Adding new bits to old songs is on old my favorite things about songwriting. I have always loved that tune but wanted to find a new way to do it so I finally settled on adapting it for this album to be about different light sources in the wintertime. Hope you dig it. I decided to go for a chugging feel rather than an oompah vibe. Even though it is now associated with the Christmas it was actually originally written for the Thanksgiving holiday! I updated the lyrics to be a little less old fashioned in the wording and to flow a bit better for my style. I scrapped all the lyrics once I decided to call the album Winter Party I realized I could turn this unfinished song into the title track. So I wrote new verses about all the animals gathering for a party in the winter. Feel free to do a tiny little miniscule wee baby funky dance to this groovy tune! I just turned up the energy a bit and kept the lyrics as they were. It felt right in this case. All I wanted to do was to with you a merry Christmas. Pretty straight forward. It seemed to take forever and ever. Originally this song was just about how awesome candy is but that seemed a little irresponsible since I tend to stay away from sugar to stay healthy. So I sat on it for a few years until this album came along and I gave the candy a new story. I love this high energy little ditty AND I love candy canes in moderation! One day during the recording of the album I had a funny vision of a pumpkin that does not rot after Halloween but instead floats around in the woods until Christmas eve and can't rest until it is let in to someone's house and shown some Christmas cheer. The song just poured out of me and came together in a flash! I think I invented the word "decomposted" for this song as well. Is that possible? Why not! It was fun to track this and make my voice sound different for the different parts. An easy song to join in with and sing along so feel free! The original lyrics do not actually refer to Christmas at all or describe a decorated Christmas tree. Instead, they refer to the fir tree's evergreen qualities as a symbol of consistency and faithfulness. I decided to have this one change keys as it goes on so that is gets more and more uplifting. I really love this song. So tender and sweet. As with most old songs I record I wanted to make the lyrics new and more "Babypants-ish" so I changed it all to be about animals of course. So no more partridge in that pear tree. Now it's a porcupine. A young priest, Father Joseph Mohr, had come to Oberndorf the year before. He had already written the lyrics of the song "Stille Nacht" in The melody was composed by Franz Xaver Gruber in the nearby village of Arnsdorf. Before Christmas Eve, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for the church service. Both performed the carol during the mass on the night of December All I did was, again, remove the religious references and make the lyrics more broad based and add a bit of a country feel and a brand new middle part! So it is a bit of a three way collaboration between Mohr, Gruber and Babypants! It is a Scots poem written by Robert Burns in and was set to the tune of a traditional folk song of the time. Back in the old days I used to go to The Dog House before it was closed down and sing this classic at midnight on New Years Eve with all the regulars. Those were some of the best New Years Eves of my life. I decided to translate the old Scottish saying into English so that kids could understand the sentiment behind the lyrics. I ended up writing a bunch of new lyrics that refer to the original vibe of the song, which is nostalgic and emotional. I made a little Christmas greeting song for her show a couple of years ago. One day I heard it as I was strolling through my unreleased songs and expanded it to be this little album closing mellow tune. My favorite line is "X is for X-mass a handy abbreviation". I was pretty proud of that one! Hope you enjoy this album closing mellow tune. One morning I was up with my daughter watching the sun come up over the Cascade mountains and I began singing this little song to her about all the love I felt for her and how it made all the bad parts of life seem little. I love you Josie! I got to use a BIG horn section on this one too. Delaney Murphy sent me this song and I tweaked the lyrics and put it to music and here it is in all it's little glory. I wrote a song for the ice cream man that drove around in my neighborhood when I was a kid and hoped to put it on a Caspar album but this song turned out better then mine so I recorded this one instead. And a car crashes and burns on an offramp from the Gardiner Two dogs in the back seat die, and in the front a man and his mother Forensics reveals the lady has pitchfork wounds in her chest — Pitchfork! And that the same or a similar instrument has been screwed to the dash to make sure the driver goes too. I see: Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around. Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around Never feel the light falling all around. Violin Andy Milne: Piano Dr. Loop Stephen Hodges: Percussion John Whynot: Whistling Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — Though you find yourself alone and stranded with no friend to take your side On the endless road afoot and empty-handed where the wild-eyed Cossacks ride. Spring birds peck among the pressed-down grasses Clouds like zeppelins cross the sky Anger drips and pools and then it passes And I say a prayer that I. Acoustic Guitar and Vocals Steve Lucas: Violin Ben Riley: Drums Sarah Harmer: Harmonies Messenger Wind 3: To be one more voice in the human choir rising like smoke from the mystical fire of the heart. It carries the moon and the stars and the rain Carries the seagulls and carries my shame away. Sun coming up paints the snow all around Rose on the roofs and the trees and the ground And the stream In my dream Messenger wind swooping out of the sky Lights each tiny speck in my human kaleidoscope With hope. Acoustic Guitar and Vocals Gary Craig: Violins Stephen Hodges: With a career that spans over three decades, countless tours and 27 albums, Cockburn has never stopped reflecting on political and social causes. Carrie Nuttall. The Finkelstein Management Company, Ltd. Thanks to M. Richardson for a beautiful place for Andy and me to work in, and for the following possibly apocryphal quote from Nostradamus:. Jackson Browne appears courtesy of: Elektra Entertainment Sarah Harmer appears courtesy of: Round Records Emmylou Harris appears courtesy of: Nonesuch Records Colin Linden appears courtesy of: Sony Music Canada Sam Phillips appears courtesy of: Nonesuch Records. Alternate cover for the US: If A Tree Falls 5: Rain forest Mist and mystery Teeming green Green brain facing labotomy Climate control centre for the world Ancient cord of coexistence Hacked by parasitic greedhead scam — From Sarawak to Amazonas Costa Rica to mangy B. What kind of currency grows in these new deserts, These brand new flood plains? Busy monster eats dark holes in the spirit world Where wild things have to go To disappear Forever If a tree falls in the forest does anybody hear? April 7, — Toronto, Canada Also On: Rumours Of Glory box set — disc 4 — Tabloids, bellowing raw delight Hail the return of the Teutonic Knights Inbred for purity and spoiling for a fight, Another little puppet of the New Right See-through dollars and mystery plagues Varied detritus of Aquarian Age Shutters on storefronts and shutters in the mind — We kill ourselves to keep ourselves safe from crime. June — Toronto, Canada. Goons in blackface creeping in the road — Farm family waiting for the night to explode — Working the land in an age of terror You come to see the moon as the bad news bearer Down where the death squad lives They cut down people like they cut down trees — Chop off its head so it will stay on its knees — The forest shrinks but the earth remains Slash and burn and it grows again Down where the death squad lives. December 29, — Toronto, Canada Also On: Kit Carson 4: And the President said to Kit Carson: Mighty Trucks Of Midnight 5: Jones — Organ Jim Keltner — Drums. Great Big Love 5: One Of The Best Ones 6: Somebody Touched Me 4: Actions Speak Louder 2: Instrumental Musicians: January 25, — Toronto, Canada Musicians: Instrumental April — Mississauga, Canada Musicians: Adeste Fidelis cover. Instrumental Album notes: Early On One Christmas Morn cover. O Little Town Of Bethlehem cover. O little town of Bethlehem How still we see thee lie Above thy deep and dreamless sleep The silent stars go by Yet in thy dark streets shineth The everlasting light The hopes and fears of all the years Are met in thee tonight For Christ is born of Mary And gathered all above While mortals sleep the angels keep Their watch of wondering love O morning stars together Proclaim the holy birth And praises sing to God the king And peace to men on earth How silently, how silently The wondrous gift is given So God imparts to human hearts The blessings of his heaven No ear may hear his coming But in this world of sin Where meek souls will receive him still The dear Christ enters in Album notes: Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera El lobo rabioso La quiso morder Mas Dios poderoso La supo defender Quizole hazer que No pudiesse pecar Ni aun original Esta uirgen no tuuiera Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera Este uiene a dar A los muertos uida Y uiene a reparar De todas la cayla Es la luz del dia Aqueste mocuelo Este es el cordero Que San Juan dixera Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera Yo ui mil garcones Que andauan contando Por aqui bolando Haziendo mil sones Diziendo a gascones, Gloria sea en el cielo Y paz en el suelo Pues Jesus nasciera Riu, riu, chiu La guarda ribera Dios guarde el lobo De nuestra cordera Este uiene a dar A los muertos uida Y uiene a reparar De todas la cayla Es la luz del dia Aqueste mocuelo. I Saw Three Ships cover. I saw three ships come sailing in On Christmas day, on Christmas day I saw three ships come sailing in On Christmas day in the morning And who do you think was in them then? On Christmas day, on Christmas day And who do you think was in them then But Joseph and his lady He did whistle and she did sing On Christmas day, on Christmas day He did whistle and she did sing On Christmas day in the morning And all the bells on earth did ring On Christmas day, on Christmas day And all the bells on earth did ring On Christmas day in the morning And all the angels in heaven did sing On Christmas day, on Christmas day And all the angels in heaven did sing On Christmas day in the morning I saw three ships come sailing in On Christmas day, on Christmas day I saw three ships come sailing in On Christmas day in the morning Album notes: Down In Yon Forest cover. Go Tell It On the Mountain cover. Shepherds original. They wake up suddenly in the night There is light And figures dancing in the sky Clothed in more colours than the world can contain And all the silences of the night Leap in song Like that of a river cascading from the wild mountain to the slow human plain Gloria! Gloria in the highest! Silent Night cover. Ehstehn yayau deh tsaun we yisus ahattonnia O na wateh wado: God Rest Ye Merry Gentlemen cover. Mary Had A Baby cover. Joy To The World cover. Listen For The Laugh 4: The hills are full of secrets Owls watch by night Down in town the bars are full And the drunks are picking fights These are things I know But the facts are filtered through All the ways I want you 2: I was half asleep in the washroom when they came in Eyes like moonlight on barbed wire and veins showing under the skin The uniforms made me nervous, I got ready for the chase But they left me scanning these crowds for some sign of your face Something fell on Saskatchewan in Where is it now that we need it, in this century of jive? Bruce Cockburn, guitar Also On: Instrumental April 24, — St. Louis Musicians: Vocals Also On: Anything Anytime Anywhere — Bass Also On: Acoustic Guitar Gary Burton: Vibes Also On Speechless — They turned their backs I made it too hard Every place they touched me Is a laceration now Sometimes a wind comes out of nowhere And knocks you off your feet And look, see my tears They fill the whole night sky The whole night sky Derailed and desperate How did I get here? Hanging from this high wire By the tatters of my faith Sometimes a wind comes out of nowhere And knocks you off your feet And look, see my tears They fill the whole night sky The whole night sky Sometimes a wind comes out of nowhere And knocks you sideways And look, see my tears They fill the whole night sky The whole night sky June 27, — Cologne Musicians: Accordion Also On: Vibes Also On: Backup Vocals and Arrangement Also On: Harmonies Also On: November 7, — Halton Hills Musicians: When You Give It Away 4: Harmony Also On: Background vocals: Patty Griffin. Recorded and mixed by: Assisted by: King Williams and Jeff Elliot. Recorded at Reaction Studios, Toronto August, Tried And Tested 5: Electric Guitars and Vocals Gary Craig: Drums John Dymond: Bass Hugh Marsh: Violins and Loop Ben Riley: Additional Drums Sam Phillips: Also On Rumours Of Glory box set — disc 7 — 2. Open 3: Drums and Percussion John Dymond: Violin Colin Linden: Electric Mandolins Sarah Harmer: Harmonies 3. All Our Dark Tomorrows 6: Violins and Loops Ben Riley: Additional Drums Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — 4. Trickle Down 6: Workfare foul air homeless beggars everywhere Picturephone aristocrats lounge around the pool Captains of industry smiling beneficently Leaking hole supertanker ship of fools. Trickle down give me the business Trickle down supposed to give us the goods Cups held out to catch a bit of the bounty Trickle down everywhere trickle down blood. Take over takedown big bucks shakedown Schoolyard pusher offer anything-for-profit First got to privatize then you get to piratize Hooked on avarice- how do we get off it? Electric Guitar and Vocals Rich Brown: Bass Gary Craig: Percussion kit Hugh Marsh: Violins Ben Riley: Drums Andy Milne: Also On Rumours Of Glory box set — disc 7 — 5. Everywhere Dance 4: Acoustic Guitar and Vocals Gregoire Maret: Harmonica Andy Milne: Piano 6. Put It In Your Heart 5: Postcards From Cambodia 6: Electric fly buzz, green moist breeze Bone-colored Brahma bull grazes wet-eyed, hobbled in hollow of mass grave In the neighboring field a small herd of young boys plays soccer, their laughter swallowed in expanding silence. The sun will soon slide down into the far end of the ancient reservoir. Orange ball merging with its water-borne twin below air-brushed edges of cloud. But first, it spreads itself,. Silhouetted dark green trees, blue horizon. The rains are late this year. The sky has no more tears to shed. But from the air Cambodia remains a disc of wet green, bordered by bright haze. Water-filled bomb craters, sun streaked gleam stitched in strings across patchwork land and march west toward the far hills of Thailand. And under the sign of the seven headed cobra the naga who sees in all directions seven million landmines lie in terraced grass, in paddy, in bush Call it a minescape now. Tears spot the dust on the worn stone causeway whose sculpted guardians row on row Half frown, half smile, mysterious, mute. And this is too big for anger. So I bow down my head, say a prayer for us all. Acoustic Guitar and Vocals Colin Linden: Additional Basses Steve Lucas: Violins and Keyboard Percussion Ben Riley: Drums Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — 8. Wait No More 4: What does it take for the heart to explode into stars? Dobro and Vocals Gary Craig: Percussion Kit Larry Taylor: Upright Bass Hugh Marsh: Violin Stephen Hodges: Drums, Percussion Jonell Mosser: Also On Slice O Life- 9. Celestial Horses 5: Still river full of the depths of the candles Burning for the free ones riding on the other shore Even at the heart of these breathing shadows You can feel us gathering at the door. Electric Guitar and Vocals Gary Craig: Drums, Percussion Jackson Browne: On the other side of the world an unhappy teenage girl sets fire to herself, her house, her neighbourhood and some that dwell therein Sorry simulacrum of sad dawn. Sleep of the just, sleep of reason, any damn kind of sleep please! I forget Through the thin hotel wall a man groans in his dreams. And a car crashes and burns on an offramp from the Gardiner Two dogs in the back seat die, and in the front a man and his mother Forensics reveals the lady has pitchfork wounds in her chest — Pitchfork! And that the same or a similar instrument has been screwed to the dash to make sure the driver goes too. I see: Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around. Bad pressure coming down Tears — what we really traffic in ride the ribbon of shadow Never feel the light falling all around Never feel the light falling all around. Violin Andy Milne: Piano Dr. Loop Stephen Hodges: Percussion John Whynot: Whistling Emmylou Harris: Also On Rumours Of Glory box set — disc 7 — Though you find yourself alone and stranded with no friend to take your side On the endless road afoot and empty-handed where the wild-eyed Cossacks ride. Spring birds peck among the pressed-down grasses Clouds like zeppelins cross the sky Anger drips and pools and then it passes And I say a prayer that I. Acoustic Guitar and Vocals Steve Lucas: Violin Ben Riley: Drums Sarah Harmer: Harmonies Messenger Wind 3: To be one more voice in the human choir rising like smoke from the mystical fire of the heart. It carries the moon and the stars and the rain Carries the seagulls and carries my shame away. Sun coming up paints the snow all around Rose on the roofs and the trees and the ground And the stream In my dream Messenger wind swooping out of the sky Lights each tiny speck in my human kaleidoscope With hope. Acoustic Guitar and Vocals Gary Craig: Violins Stephen Hodges: With a career that spans over three decades, countless tours and 27 albums, Cockburn has never stopped reflecting on political and social causes..

My process is changing as I am. I just want to see what comes out. In when we talked a little bit about poetry you mentioned that you were getting into somebody named Rupi Kaur.

Did you here imagine that she would get this popular? There are so many great artists who never get the Albums tag model larkin love luscious. And part of it was, too, that I had a lot of problems with my hands over the last few years.

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And I was learning about reiki and how sensitive I can be to that. So, basically, I started a teaching course to learn more about it.

To give reiki. I know the Japanese reiki Albums tag model larkin love luscious invented by Mikao Usui. Do you have to make to make kanji in the air with the type you do? I just got certified a few months ago. But the idea is really that that anyone can give reiki and we can all tap into that natural [healing]. I use plants all the time. I mean, for different things. Like I use different teas and I work with cocao, which is the chocolate thing I do. I think it works for a lot of people.

I just tried that over the weekend. I thought it was going to be like taking Tylenol or something Albums tag model larkin love luscious I article source really surprised. And it was actually really pleasant. Have you tried it yet? I need to work with it a bit more and see what I notice. Which, actually, I wanted to ask you something related to that.

Shakira blows a kiss as she hams it up on the red carpet at album launch

You had mentioned some of the Beat writers as being some of your favorite poets. My town borders Lowell, which is where Jack Kerouac was born and where a lot of his books take place so I was just curious if you were a fan of his at all?

Oh, cool. Yeah, I am. I think I read Dharma Bums when I was a lot younger. Was that your first time working together? I was in London about a year before we made the Albums tag model larkin love luscious together. And my manager had suggested I meet with him just to have a chat because I was looking for potential producers for my album. We met up and I just really liked him.

Am I going to be comfortable expressing my vision or creative ideas and it was clear that that would be source. That that was invited. I was. Well, he has just click for source lot of vintage equipment. Like sort of analog. We recorded to tape. And I think he really understood what I was going for with this record. I was just looking for something a lot more like organic and warm, and just kind of classical in terms of highlighting song over production, and I feel like he was a perfect partner for that.

I noticed in the credits that there are a few people that you wrote many of the songs with. So, I was wondering, did you approach this album more like Albums tag model larkin love luscious were writing an album for a band as opposed to a solo artist?

No, I think, when we wrote the arrangements it was definitely https://tamilinfoservice.com/humping/article-fuck-video-net.php a band in mind, but I was just writing for myself.

Just all over. Some were friends. Some were people that I had written with on my previous record that I met when I was doing a songwriting retreat in Stockholm. Some my manager Albums tag model larkin love luscious the time had suggested that I write with and those were all really good recommendations. The lyrics, generally speaking, are pretty much mine.

Here or there, somebody might suggest a word or a line, but I tend to write almost all of my lyrics. And then I write a lot of the melodies, too.

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Was writing songs with a few people more intimidating than writing songs with just one person? These songs were all written just me and one other Albums tag model larkin love luscious.

I think this one is definitely a reflection of the time that it was written in. Daughter of mother who kept four stillborn baby Annunziata Rees-Mogg slams Britain's broken political system that only represents Remain voters after taking A howl of rage from the shires: Heart and soul of the Tory party reveal their cries of exasperation and pain The Trotskyist, the ex-retail boss and the woman they call 'Boadicea': Who else is joining Annunziata Red alert as Britons are warned not to Me and my pri-mates!

Millions of tons of food are wasted because of Best Before paranoia: Top food scientist insists you CAN eat Bloodshed of the Bank Holiday weekend as man in his 20s is stabbed in Hyde Park during cannabis event and Manhunt underway as year-old boy is stabbed in the head in Birmingham What David Attenborough told BBC viewers about this raging orangutan fighting a digger is only part of the Should YOU get device that led police to Albums tag model larkin love luscious in What Albums tag model larkin love luscious my hour pain in the neck?

Eco-rabble which has gridlocked London for a week are 'using encrypted messages to share details on police Sexy military women uniform. If a tree falls in the forest does anybody hear? Anybody hear the forest fall? Through thinning ozone, Waves fall on wrinkled earth — Gravity, light, ancient refuse of stars, Speak of a drowning — But this, this is something other. Busy monster eats dark holes in the spirit world Where wild things have to go To disappear Forever. Also On: Shipwrecked At The Stable Door 3: Left like a shadow on the step Where the body was before — Shipwrecked at the stable door.

Blessed are the poor in spirit — Blessed are the meek For theirs shall be the kingdom That the power mongers click at this page Blessed are the dead for love And those who cry for peace And those who love the gift of earth — May their gene pool increase. Rumours Of Glory box set — disc 4 — 3.

Gospel Of Bondage 5: See-through dollars and mystery plagues Varied detritus of Aquarian Age Shutters on storefronts and shutters in the mind — We kill ourselves to keep ourselves safe from crime. Sometimes you can hear the Spirit whispering to you, But if God stays silent, what else can you do Except listen to the silence?

Rumours Of Glory box set — disc 4 — 4. June — Toronto, Canada 5. Tibetan Side Of Town 6: The butterfly sparkle in Albums tag model larkin love luscious lasered eye still seems To hold that last shot of red sun through haze over jumbled roofs Everything moves like slow fluid in this atmosphere Thick as dreams With sewage, Albums tag model larkin love luscious, dust and fever and this web page smoke of brick kilns and cremations —.

Big red Enfield Bullet lurches to a halt in the dust Last blast of engine leaves a ringing in the ears That fades into the rustle of bare feet and slapping sandals And the baritone moan of long bronze trumpets Muffled by monastery walls. Understanding Nothing 4: Over the scratched-up soil, scorched-earth wasted, Long shadows lead women bearing water I watch the sway of skirts, Think of moist spice forests —.

Too many pictures Swirling Vertigo Momentum of civilizations Threw me too far over Albums tag model larkin love luscious time-simple landscape And I hang here In this mountain light A balloon blown full of darkness — Got to let this ballast go Got to float upward Till I burst.

Rhododendrons in bloom, sharp against Spring snow Remind me of another time In japanese temple — There was a single orange blossom At the wrong time of year — Seemed like a sign — When I looked again It was gone. Rumours Of Glory box set — disc 4 — 7.

Where The Death Squad Lives 4: They cut down people like they cut down trees — Chop off its head so it will stay on its knees — The forest shrinks but the earth remains Slash and burn and it grows again Down where the death squad lives. Rumours Of Glory box set — disc 4 — 8. Radium Rain 9: Rumours Of Glory box set — disc 4 — 9. Pangs Of Love 5: April 9, — Pakhara The Gift 6: You must stand Back and let it Keep on changing hands.

February 9, — Toronto, Canada Anything Can Happen 4: We could have been lynched and tarred and feathered Been on a plane that crashed in flames Could have done the neutron melt together But here we are just the same! You could have been daggered in the dead of night You could have been gassed inside your car I could have been walking in the open fields And been drilled through the head by a shooting star.

Rumours Of Glory box set — disc 7 — If A Tree Albums tag model larkin love luscious 4: Acoustic Version on the remastered edition of Big Circumstance. The result of three years of global traveling.

Used by Permission. Bob Ludwig, Masterdisk, New York. The musicians are: Bruce Cockburn — vocals, guitars and Men pissing in videos Jon Goldsmith — keyboards and electric auto harp Fergus James Marsh — stick and bass Michael Sloski — drums and percussion Background vocals: Silver Wheels 6: World of Wonders 4: Rumours of Glory 6: See How I Miss You 4: After the Rain 3: Call It Democracy 3: Tibetan Side of Town 7: Wondering Where The Lions Are 5: Nicaragua 5: Broken Wheel 5: Stolen Albums tag model larkin love luscious 3: To Raise The Morning Star 7: Maybe the Poet 4: Live, recorded in Augusthas all of those qualities in abundance.

Comfort Sound Mobile, Toronto Engineered by: Scott Campbell, Jon Erickson Mixed at: Manta Sound Engineer: John Naslen Assistant engineer: Mike Columby Audiophile assembly: Brad Haehnel Art Direction: Bart Schoales Photos: Patrick Harbron. Bruce Cockburn: Chapman stick, midi stick and background vocals Michael Sloski: On the road: Road manager: David Hart Sound: Bob McLee band aide services Lighting: Steve Hill Monitors and guitars: Russ Ryan Monitors: Russ Wilson Truck: Michael Dufault Australian sound: John Lacina Australian Lighting: Phil Spillman.

New liner Albums tag model larkin love luscious essay written by Nicholas Jennings. Released by Rounder Records, Over 76 minutes of music, including 1 bonus track.

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A Dream Like Mine 3: Beautiful rocks — beautiful grass Beautiful soil where they both combine Beautiful river — covering sky Never thought of possession, but all this was mine. Jones — Organ Jim Keltner — Drums 4. Soul Of A Man 3: When Christ taught in the temple The people all stood Albums tag model larkin love luscious Was teaching the lawyers and the doctors How to raise a man from the grave.

Seen a lot of things in the world outside Some bad but some good stuff too Felt the touch of love in the works of God And now and then in what people do Never had a lot of Albums tag model larkin love luscious in human beings But sometimes we manage to shine Like a light on a hill beaming out to space From somewhere hard to find.

Teensexmania full Watch Porn videos in public places Video Zoey Fucking. I think in the end that experience made the song even sweeter since every time I hear it I remember NOT being able to play it. Thanks DAD! RAIN I have always LOVED this song and the drone like sound of it and the sentiment which is that a rainy day is not a bad day at all and that we create these limitations for ourselves that require everything to be perfect in order to be happy. I just wanted to lighten it up and make the content of the vocals come to the front. At its core this is a super simple song with a super simple message. Be happy because you are alive not because of your surroundings. In the beginning the Beatles played without a drummer for a bunch of their first gigs and because there were four guitars they sold the lack of a drummer with eh phrase "The rhythm's in the guitars! I decided to see how that theory would sound and just made this thing with only guitars save for the little Billy Preston style piano here and there and HORNS! Interesting side note is that Billy Preston who played piano on this song on Let It Be also played with and socialized with the Beatles in when he was Little Richard's organist and played shows with the lads from Liverpool around the time when they wrote this song. It tells a vivid story too which is always a winning quality of a good song for me. I can really SEE the story and atmosphere come to life in my head as I listen to it. So I indulged myself and put it on the album. I had to redo it a few times to get my voice near those high notes and ring out like Paul's does on the original song. But it was worth it. I got the broken baby keyboard to do the bass line here again and got a funny gnome from the garden to come in and play flute. Another example of getting a bit more energy and speed into the performance than the original to bring out the groove of the song. What better sums up the Beatles contribution to our collective unconscious that their promotion of the concept of loving each other. I ramped up the country feel in this version just because I always heard it bubbling just under the surface and it was fun to bring it out a bit. This one did not make it onto the first record and I am glad it didn't because I added a bunch of bells and whistles to this new version. How do you do what you do? It seemed to be an easy choice for a record that is mostly for the parents since it is about the mother of all mothers! It was fun to create the super angelic "see how they run" parts and use my super broke down old Kawai baby keyboard for the bass line. I sure do love a half busted cheapo keyboard. Strange that I have not written a Caspar Babypants song about a pig but I do sing about then as I bop around all day. SO this seemed like a great one to include. I loved replicating the end part with he crisp cellos too. This one was also recorded for the first album but got bumped so it is great to have the chance to get it out here. The lovely and talented Rachel Flotard helps out on vocals and does a great job with the harmonies. I like this one for kids because it is repetitive and deals with opposites. A little bit of an opportunity to think about that stuff. Also the fat luscious chords are so fun to play and listen to. I have played this song live a bunch with my grown up band and originally thought I would do it pretty straight and strummy on a guitar but once I fired up that silly keyboard things just flowed and it all came together. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it! They sped them up to make him sound younger since he wrote this song when he was a teenager. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals! I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones and you! I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. I decided not to add it in the end HA! Plus if you let the album repeat then it fades into the beginning bit of SGT. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. This some was the bit that I made up about the owl. I hope it does not encourage your kids to stay up all night! I think it is more about that desire than a suggestion to do so. It was an elderly man on stage singing a song all by himself with no musicians. His voice had a lonely quality that was sweet and haunting at the same time. I tried to make this song occupy the same space but I got excited to put instruments on it so I made it about playing music so I could justify the added parts and music. This one is dedicated to my late great Daddy. Musically I worked very hard on this one to make it move from part to part and not get monotonous. Lots of weaving guitar bits coming together here. Getting that lead vocal to sit right took a while. It was challenging but I love the results! No big story here. Just a sweet little turn of phrase that made me smile. I do like the stop and start quality of the arrangement and that came about over time. That effect makes me sleepy. From time to time I would just improvise and try to push out a song. I was in my room and sang about the view from my window and that was it. That song sat around for 20 years unfinished then I read a book about the psychology of children's books and why some work and some don't. In the book they talked about "Goodnight Moon" and why it was successful and the iconic, romantic relationship we humans have with the moon and how that fires children's imaginations. When that song floated back into my mind I focused on the idea that image of the moon is about fantastic distance and possibility for adventure and made the verses about the crazy things that you might do out there under the moon. He sent me some movies and testimonials and I was struck by one guy who told his story of loosing his family in the water. So I changed the theme to be about fish and how they sleep under the water during storms and stay cozy despite the tempest above. I had a dream about her in which she was a big blue dragonfly in a twighlight swamp and I was going to visit her. When I told Kate about the dream and told her the song was called "Dragonfly Blue" she said that was so weird because the color of the paint on the walls of Christina's restaurant was called "dragonfly blue". That coincidence made the song really come alive. Originally this was a little song called "My Dolphin Blue" that my daughter Josie wrote with her cousin Claire. But try as I might I could not make the dolphin imagery work for me. When the image of a blue dragonfly came along I rewrote the words and the song was born. So I made it about all the wee critters that live in the dirt hoping that thinking about them would make little brains tired. Hope it works! I ended up playing it that day at the show and a few years later here it is on an album. Thanks for the inspiration Sara and Mary. I liked the melody and the phrasing but when I thought about is for a Caspar song I didn't want to have the word sick in there. Flames from the refinery Rise broken, red and riveting And the high vault of heaven Looks far away and cold. Blood and ashes — time burning On the skyline dark against the stars A solitary horseman — waiting. Drums Gary Burton: Vibes Rob Wasserman: Rumours OF Glory box set disc 6 — 3. Pacing The Cage 4: Acoustic Guitar and Vocal Janice Powers: Keyboards Rob Wasserman: Mistress Of Storms 6: Also On Speechless — 5. The Whole Night Sky 3: Sometimes a wind comes out of nowhere And knocks you off your feet And look, see my tears They fill the whole night sky The whole night sky. Derailed and desperate How did I get here? Hanging from this high wire By the tatters of my faith. Sometimes a wind comes out of nowhere And knocks you sideways And look, see my tears They fill the whole night sky The whole night sky. Acoustic Guitars and Vocal Gary Craig: Bass Bob Weir: Vocals Colin Linden: Mandolin Janice Powers: Low, Wiggly Keyboards Bonny Raitt: Slide Guitar Joe Macerollo: The Coming Rains 4: In my heart I hold your photograph And the thought of you comes on like the feel of the coming rains. Drums, Tambourine Rob Wasserman: Bass Gary Burton: Rumours OF Glory box set disc 6 — 7. Birmingham Shadows 9: But if I fall down and die Without saying goodbye I give you this: Resophonic Guitar and Vocal Gary Craig: Drums Rob Wasserman: The Mines Of Mozambique 6: And somebody will be peddling vials of penicillin stolen out of all the medical kits sent to the countryside. Bass Janice Powers: Mongolian keyboard thing Jonatha Brook: Backup Vocals and Arrangement. Rumours OF Glory box set disc 6 — 9. Live On My Mind 6: Light me like incense in the night Light me like a candle burning bright Light me like a searchlight in the sky Time means nothing when I look in your eyes. Keyboards Gary Burton: Vibes Jonatha Brook: The Charity Of Night 8: Car slows beside him as he walks Hubcaps slow revolution Jaundiced-looking pockmarked face, round in window Short greasy black beard. This goes on halfway across the cobbled bridge Driver pulls ahead — gets out by the construction fence Ambles towards him rubbing the bulge in his pants. In his jacket is the revolver The hand is already in the pocket for warmth and fingers slide easily around wood grips. Slow revolution — — crosswise in a hammock in the hot volcanic hills Its 3AM the night after the air raid From the ridge she watched A37s, like ugly gulls, Make a dozen swooping passes over some luckless town Maybe ten kliks beyond the border In the distance the Pacific glimmered silver. Tongue slides over soft skin Love pounds in veins brains buzzing balls of lust Fingers twine in wet hair Limbs twist and roll. On the dresser wax drips in slow motion down the long side of A black candle Ecstatic halo of flame and pheromone-. Acoustic Guitar and Vocals Rob Wasserman: Vibes Colin Linden: Mandolin Joe Macerollo: Rumours OF Glory box set disc 1 — Strange Waters 5: Across the concrete fields of man Sun ray like a camera pans Some will run and some will stand Everything is bullshit but the open hand. If I loose my grip, will I take flight? BMI All rights reserved. Used by permission. Thanks to the following for support, inspiration, lighting-a-fire-under-the-ass, and other gifts, intentional or not: Woodman for her wisdom, the folks at City Stages, God for always keeping the ladder in place. Call It Democracy 5: Stolen Land 7: Strange Waters 6: Fascist Architecture 2: Birmingham Shadows Produced and mixed by: Bruce Cockburn and Colin Linden Mix engineer: Colin Linden Assistant: Annelise Noronha Mixed at: Manta Eastern Sound, Toronto. Originally recorded for the Buzz Kemper and Steve Gotcher, producers. Package design: Barbara Longo Front cover photo: Marie Westhaver Inside band photos: William Sienkiewicz. Guitars and vocals: Bruce Cockburn Bass and background vocals: Steve Lucas Drums and background vocals: Ben Riley. Tour manager: Leslie Charbon Front of house sound: Russ Wilson Guitar tech: My process is changing as I am. I just want to see what comes out. In when we talked a little bit about poetry you mentioned that you were getting into somebody named Rupi Kaur. Did you ever imagine that she would get this popular? There are so many great artists who never get the recognition. And part of it was, too, that I had a lot of problems with my hands over the last few years. And I was learning about reiki and how sensitive I can be to that. So, basically, I started a teaching course to learn more about it. To give reiki. I know the Japanese reiki was invented by Mikao Usui. Do you have to make to make kanji in the air with the type you do? I just got certified a few months ago. But the idea is really that that anyone can give reiki and we can all tap into that natural [healing]. I use plants all the time. I mean, for different things. Like I use different teas and I work with cocao, which is the chocolate thing I do. I think it works for a lot of people. I just tried that over the weekend. I thought it was going to be like taking Tylenol or something so I was really surprised. And it was actually really pleasant. Have you tried it yet? I need to work with it a bit more and see what I notice. Because I was kind of on the run that day. I feel like I need to take time to observe and see how things shift for you. Or if they shift for you. Have you and ANTI- talked about doing another album together yet? Official Site: Follow photographer Enrico Policardo on Instagram: View all posts by: Name required. Mail will not be published required. I like turning a groovy song into a new wave binary thing. Plus it has the word "baby" in it so I HAD to do it! They sped them up to make him sound younger since he wrote this song when he was a teenager. I hope that is how families will hear it when they listen to this version. I treated this one a bit like Lucy In The Sky With Diamonds with a clear plucky bass line and a descending clavinet line. I was trying to bring it out of it's drone like state and make it move a bit more. It is actually the first song that got me thinking about a Beatles cover album in the first place. I was warming up for a show at a library and I strummed an open D chord on my guitar and it sounded exactly like the beginning chord of this song. That got my wheels turning and here we are several years later with two full albums of Beatles songs done! I like the contrast in this song between the flow chorus and the tight bouncy verses. A tiny bit of romantic love in this one but I will let it slide because the music is so good. Thanks to Rachel Flotard for the chorus vocals! I had to decipher individual notes and then find a way to assemble the important ones into chords on the 3 string guitar. In the end I played what is really a D7 chord for the G chord in the song but it works. As I learned it I played it slowly since the chords were hard and mellow and it kind of got stuck like that. It works for me as a kind of slinky jazzy little thing with minimal instrumentation. So I thought this would be a good opportunity to do a high energy song in a subdued way. I decided to bring out the lush vocal harmonies and keep the same exact groove just slow it way down. It works with the lyrics of the show being "near the end" and all that. I dig it. I hope you do too. I am super happy to have this recording included here because it makes me very sleepy indeed. Jen Wood brought a beautiful texture to this one. I love how it came out all floaty and misty and I hope it puts your little ones and you! I had to learn the guitar solo parts one at a time in the original key and then transpose them to a different key and to the piano. It was like knitting a little sweater made of piano riffs! I called upon my childhood experience in a boys choir to make the giant vocal ending feel reverent and sweet. I decided not to add it in the end HA! Plus if you let the album repeat then it fades into the beginning bit of SGT. I did change the words though. It was about a variety of things that a baby might need to deal with during the course of it's day like eating peas and taking a bath but when I changed all the imagery to be about the end of the day it felt better. Each show would be about a couple of specific animals and the idea was for me to improvise a song about each animal at the end of the episode. We did a little pilot episode at the Woodland Park Zoo and one of the animals was a snowy owl. This some was the bit that I made up about the owl. I hope it does not encourage your kids to stay up all night! I think it is more about that desire than a suggestion to do so. It was an elderly man on stage singing a song all by himself with no musicians. His voice had a lonely quality that was sweet and haunting at the same time. I tried to make this song occupy the same space but I got excited to put instruments on it so I made it about playing music so I could justify the added parts and music. This one is dedicated to my late great Daddy. Musically I worked very hard on this one to make it move from part to part and not get monotonous. Lots of weaving guitar bits coming together here. Getting that lead vocal to sit right took a while. It was challenging but I love the results! No big story here. Just a sweet little turn of phrase that made me smile. I do like the stop and start quality of the arrangement and that came about over time. That effect makes me sleepy. From time to time I would just improvise and try to push out a song. I was in my room and sang about the view from my window and that was it. That song sat around for 20 years unfinished then I read a book about the psychology of children's books and why some work and some don't. In the book they talked about "Goodnight Moon" and why it was successful and the iconic, romantic relationship we humans have with the moon and how that fires children's imaginations. When that song floated back into my mind I focused on the idea that image of the moon is about fantastic distance and possibility for adventure and made the verses about the crazy things that you might do out there under the moon. He sent me some movies and testimonials and I was struck by one guy who told his story of loosing his family in the water. So I changed the theme to be about fish and how they sleep under the water during storms and stay cozy despite the tempest above. I had a dream about her in which she was a big blue dragonfly in a twighlight swamp and I was going to visit her. When I told Kate about the dream and told her the song was called "Dragonfly Blue" she said that was so weird because the color of the paint on the walls of Christina's restaurant was called "dragonfly blue". That coincidence made the song really come alive. Originally this was a little song called "My Dolphin Blue" that my daughter Josie wrote with her cousin Claire. But try as I might I could not make the dolphin imagery work for me. When the image of a blue dragonfly came along I rewrote the words and the song was born. So I made it about all the wee critters that live in the dirt hoping that thinking about them would make little brains tired. Hope it works! I ended up playing it that day at the show and a few years later here it is on an album. Thanks for the inspiration Sara and Mary. I liked the melody and the phrasing but when I thought about is for a Caspar song I didn't want to have the word sick in there. On the recording you can hear Augie asking "Sick puppy?? Why is there a sick puppy?? No matter how sad it feels to be left alone to go to sleep you will feel better after a good nights sleep I promise. It was called "Close Your Eyes Little Sister" and I changed the title to be a bit more universal in case you don't have a sister. Originally it was written for my daughter Josie as a lullaby that I sang to her as she went to bed. This thing has SO many chords in it that it is pretty fun to play on piano. He had another song about the moon as well supporting the romantic connection to little minds with the moon from the book mentioned above! I only remember the title and turned it into my own song. There is something interesting about this recording. There is another Caspar Babypants song that uses the exact same chords as "Sliver Moon" but is way more up beat. Can you figure out which one it is? Contact me if you think you know. That happened because I liked the chords to this song but had too many slow songs so I turned it into a whole new song using the same chords. Later I found this original recording and it fit on this album so here it is. I got rid of the specific Christmas stuff and made it about being cozy inside as the cold world freezes outside and all you have to do is drift off in time. The original theme was about not being able to go to sleep on Christmas night. Somehow it felt half baked and when I put that idea of shutting off your chattering mind in there it felt right! The long trippy outro part is one of my favorite moments on the album. It is hard to describe in words but that is the best way to talk about it. This is the longest Caspar Babypants song ever and it may work well to put it on repeat in a sleeping babies room on low volume and see if it lulls the little thing to sleep. I wanted to have a song that is not about anything specific to going to sleep but is about a universal energetic sensation that is an abstraction of losing consciousness and drifting off to dreamland. Originally this came from hanging out with my fiend Dave's daughter Katherine in the early morning in Ohio just talking about the day starting up and what we might want to do. I had a guitar and started turning some of our conversation into a song and that was the seed. Then it got recorded and went through many changes and editing. The last part to be added was the beginning quote from a piece called "Morning" from the Peer Gynt Suite by Edvard Grieg. I quoted him before in the song Skeletone. I love the HUGE ending on this song. I think that is the biggest moment on any Caspar Babypants album! Originally the worm gets stuck inside a soda straw but I didn't want soda pop anywhere near my song so I changed it to have the worm be lost in a huge pile of straw. I also gave it a bit of a gospel feel with good call and response opportunities. So sing along! I don't know if he forgot how to fly or if he is just an industrious little thing. What ever happened to living in the moment: Many of the fans seemed to miss her big climax as they were recording on their phones. Lips don't lie! Shakira blows a kiss as she hams it up on the red carpet at album launch By Mike Larkin Published: Share or comment on this article: Shakira blows a kiss as she hams it up on the red carpet at album launch e-mail. Most watched News videos Heart-warming moment monkey comforts grieving woman at funeral wake Police release CCTV from Creggan on night Lyra McKee died Man sentenced to life in prison for rape of young woman in Leeds Moment carjackers drag tourist from car by her hair in Johannesburg Cops pepper spray black teen before slamming his head into pavement Activist moved away by police at Oxford Circus protest Terrifying moment giant python is found crawling on Detroit garage MMA fighter Conor McGregor arrested at Miami Beach home Body of missing teen is found buried on Ohio farm Hilarious moment CNN reporter fights off a lizard on live TV Little boy calls asking for McDonald's while grandma was asleep Shocking moment brawl breaks out in front of store full of shoppers. More top stories. Bing Site Web Enter search term: Jordyn Woods sends a message to her former best friend Jenner after Tristan Thompson cheating scandal Sister act! Dancer beams as he meets fans Charlize Theron: My child I thought was a boy is Chief ethics officer and her integrity unit director both quit Grey's Anatomy recap: Endgame directors reveal why Robert Downey Jr. Flames from the refinery Rise broken, red and riveting And the high vault of heaven Looks far away and cold. Blood and ashes — time burning On the skyline dark against the stars A solitary horseman — waiting. Drums Gary Burton: Vibes Rob Wasserman: Rumours OF Glory box set disc 6 — 3. Pacing The Cage 4: Acoustic Guitar and Vocal Janice Powers: Keyboards Rob Wasserman: Mistress Of Storms 6: Also On Speechless — 5. The Whole Night Sky 3: Sometimes a wind comes out of nowhere And knocks you off your feet And look, see my tears They fill the whole night sky The whole night sky. Derailed and desperate How did I get here? Hanging from this high wire By the tatters of my faith. Sometimes a wind comes out of nowhere And knocks you sideways And look, see my tears They fill the whole night sky The whole night sky. Acoustic Guitars and Vocal Gary Craig: Bass Bob Weir: Vocals Colin Linden: Mandolin Janice Powers: Low, Wiggly Keyboards Bonny Raitt: Slide Guitar Joe Macerollo: The Coming Rains 4: In my heart I hold your photograph And the thought of you comes on like the feel of the coming rains. Drums, Tambourine Rob Wasserman: Bass Gary Burton: Rumours OF Glory box set disc 6 — 7. Birmingham Shadows 9: But if I fall down and die Without saying goodbye I give you this: Resophonic Guitar and Vocal Gary Craig: Drums Rob Wasserman: The Mines Of Mozambique 6: And somebody will be peddling vials of penicillin stolen out of all the medical kits sent to the countryside. Bass Janice Powers: Mongolian keyboard thing Jonatha Brook: Backup Vocals and Arrangement. Rumours OF Glory box set disc 6 — 9. Live On My Mind 6: Light me like incense in the night Light me like a candle burning bright Light me like a searchlight in the sky Time means nothing when I look in your eyes. Keyboards Gary Burton: Vibes Jonatha Brook: The Charity Of Night 8: Car slows beside him as he walks Hubcaps slow revolution Jaundiced-looking pockmarked face, round in window Short greasy black beard. This goes on halfway across the cobbled bridge Driver pulls ahead — gets out by the construction fence Ambles towards him rubbing the bulge in his pants. In his jacket is the revolver The hand is already in the pocket for warmth and fingers slide easily around wood grips. Slow revolution — — crosswise in a hammock in the hot volcanic hills Its 3AM the night after the air raid From the ridge she watched A37s, like ugly gulls, Make a dozen swooping passes over some luckless town Maybe ten kliks beyond the border In the distance the Pacific glimmered silver. Tongue slides over soft skin Love pounds in veins brains buzzing balls of lust Fingers twine in wet hair Limbs twist and roll. On the dresser wax drips in slow motion down the long side of A black candle Ecstatic halo of flame and pheromone-. Acoustic Guitar and Vocals Rob Wasserman: Vibes Colin Linden: Mandolin Joe Macerollo: Rumours OF Glory box set disc 1 — Strange Waters 5: Across the concrete fields of man Sun ray like a camera pans Some will run and some will stand Everything is bullshit but the open hand. If I loose my grip, will I take flight? BMI All rights reserved. Used by permission. Thanks to the following for support, inspiration, lighting-a-fire-under-the-ass, and other gifts, intentional or not: Woodman for her wisdom, the folks at City Stages, God for always keeping the ladder in place. Call It Democracy 5: Stolen Land 7: Strange Waters 6: Fascist Architecture 2: Birmingham Shadows Produced and mixed by: Bruce Cockburn and Colin Linden Mix engineer: Colin Linden Assistant: Annelise Noronha Mixed at: Manta Eastern Sound, Toronto. Originally recorded for the Buzz Kemper and Steve Gotcher, producers. Package design: Barbara Longo Front cover photo: Marie Westhaver Inside band photos: William Sienkiewicz. Guitars and vocals: Bruce Cockburn Bass and background vocals: Steve Lucas Drums and background vocals: Ben Riley. Tour manager: Leslie Charbon Front of house sound: Russ Wilson Guitar tech: I felt like I had a strong sense of armor up. What do you think about colors? I do believe in colors insofar as a lot of the spells I do are simple candle magick and certain colors are used for certain types of spells and in certain combinations and stuff. But definitely with crystals, too. I had a bad experience with someone in the past — it will give me a panic attack if I start saying everything they did — but there were threats and blackmail and it was just insane and I often felt like she was putting hexes on me. Because she had threatened to do that. And my father gave me this ring. Yeah, I think crystals can be protective. The only thing I question is how some witches or new age type people will say you need this crystal for this and another crystal for that and so they would give you a bag with like eight different crystals in it for you to wear or carry on you. If I have all this abundance of crystals and all this abundance of religions. I tend to choose teachers who follow really specific lineages. Like somebody like my yoga master teacher in Indian and a Shaman I worked with in Peru. And I see that happening with people in the spiritual community, just mixing many traditions and kind of creating their own philosophy. But, for me, I think something might be lost in that. For me, I guess I do kind of pick and choose things. I identify as a witch but pray to Catholic Saints. Yeah, and I guess I do, too, even in how I approach religion. Maybe at some point you can do a vipassana retreat. A really great center in in Shelburne, Massachusetts. Yeah, we talked about those a bit last time. You had just done ten days at Joshua Tree. Have you done another one since? I like to go up there once a year. So, maybe, sometime this year. I would like to go. I can see myself going that way. You had mentioned that you get song ideas from them sometimes. Are you allowed to write things down there? Which is so frustrating. So, having that problem makes me compelled to write things down as soon as I get an idea. You had mentioned wanting to publish a book of poems as being something on your bucket list last time —..

Rumours Of Glory box set disc 5 — Rumours OF Glory box set disc 5 — Cry Of A Tiny Babe 7: Like a stone on the surface of a still river Driving the ripples on forever Redemption rips through the surface of time In the cry of a tiny babe. Indian How often shave bikini 6: Speechless — Child Of The Wind 4: Little round planet In a big universe Sometimes it looks blessed Sometimes it looks cursed Depends on what you look at obviously But even more it depends on the way that you see.

This sort of sympathetic production brings out the best in Cockburn and his material, which is consistently strong. All songs copyright Golden Mountain Music Corp. Engineered and Mixed by: Adeste Fidelis cover Instrumental. Album notes: Jen Crossley Albums tag model larkin love luscious camera book opens up to show a book Mini Albums, Mini Jewelry Necklace Love jewelry for men tag heuer.

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